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This screenplay is copyrighted to its author. All rights reserved. 
This screenplay may not be used or reproduced without the express 
written permission of the author.

-------------------------

          EXT. STREET-NIGHT

          A trio of teenagers walk casually through a
          sprawled out housing development.

          FRED PRICE is behind the other two teens. A
          slightly out of shape teenager, Fred, 16, wears a
          dimpled smile, with a wardrobe straight out of an
          Abercrombie ad.

          The two boys in front are WALTER BOWERS and BILL
          ROCHESTER, both around the same age a Fred. Walter
          is tall and muscular, sporting a leather jacket
          and a cigarette casually rests between his
          fingers.

          Bill struggles to keep step with Walter, a cell
          phone presses up against his ear. Bill is by far
          the smallest of the three, in a shameless attempt
          to appear tough, a flat brim hat rests on his head
          and his free hand constantly pulls up a pair of
          jeans that would be big on Walter.

                              FRED
                    Man I'm so pumped. I haven't gotten
                    wasted since back in my old town.

                              WALTER
                    Chill Fred. It's not a huge rave. It's
                    just of few friends relaxing.

                              FRED
                    Parties out here just aren't as good as
                    in Mass I suppose.

                              WALTER
                    We haven't shown you a good time yet,
                    Fred. Just you wait.
          Bill puts the cell phone down.

                              BILL
                    That was Maria who just called. They're
                    all dry.

                              FRED
                    All dry? Now this is going to suck.

                              WALTER
                    Don't worry I always bring something to
                    the table. Common courtesy fellas.
          Walter retrieves a bottle of Smirnoff from his jacket
          pocket.

                              BILL
                    I like where your heads at Walter.

                              

                              FRED
                    Smirnoff's good I guess. But I prefer
                    Vodka when I get wasted.

          Bill and Walter shoot each other looks, both struggle
          to hold back their laughter.

          EXT. HOUSE-NIGHT

          The trio of teens stands on the porch of a dimly
          lit house.

                              FRED
                    There are hardly any lights on. Are you
                    sure this is the right house?

                              WALTER
                    Chill, Fred. This is the place.

                              FRED
                    I don't think anybodys home. I saw a lot
                    of newspapers in the driveway. The
                    people in this house could be away.

          The door swings open. MARIA, a petite girl with droopy
          eyes. Around the same age as the boys, she cracks
          a smile of delight.

                              MARIA
                    Bill! Walter! Fred.

                              FRED
                    What's up Maria.

          Fred opens his arms and Maria coils hers around his
          tall body.

          Bill gives her a light nod.

          Fred puts his hands in his pockets.

          INT. BASEMENT-NIGHT

          Maria and the other three boys sit on couches. The
          bottle of Smirnoff rests on a coffee table.

                              FRED
                    Where did the rest of the girls go?

                              MARIA
                    They all left. But I think we'll have
                    more people coming soon. I'm not really
                    sure though.

          Maria picks up the bottle and places it into Fred's
          hand.

                              MARIA
                    You start us off.
          Fred stares at it in his hand before taking a slow SIP. He swallows
          and doesn't grimace.

                              MARIA
                    I'm impressed.
          Maria takes a shot, her face turns sour.

                              MARIA
                    Oh god. I'm seeing stars.

                              BILL
                    Pass that over here.

          INT. BASEMENT-SOMETIME LATER

          The bottle of Smirnoff is on the coffee table, now
          empty. Maria rests on Fred's chest.

                              MARIA
                    You have great chest muscles Fred.
          Maria moves in closer to Fred's face.

                              MARIA
                    You're hot.

                              FRED
                    I'm crunked.
          Fred's plastered smile widens and he stares into Maria's
          heavy eyes.
          TRACY enters the room, slightly bigger and older than MARIA
          she carries a whole handle of liquor.

                              WALTER
                    Holy shit! My hero. Get over here with
                    that Tracy.

                              TRACY
                    What the fuck? You guys stared without
                    me?

                              BILL
                    No, not at all. We just had water.

                              TRACY
                    Water?
          Fred sits up.

                              FRED
                    What?

                              BILL
                    With a pinch of beer.

                              WALTER
                    Light beer.
          Bill and Walter start laughing like hyenas. Tracy follows
          in, as does Maria.

                              MARIA
                    You're such a tool Fred.
          Fred breaks into an uneasy laugh.

          His plastered smile is slowly chipped away by the laughter
          in the room.

                              THE END
                         
                    

                              

          
                    
          
                     
                    



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