This screenplay is copyrighted to its author. All rights reserved. This screenplay may not be used or reproduced without the express written permission of the author.-------------------------
GREAT IDEAS
Written
by
Bede
Jermyn & Todd Yates
INT. COMPUTER ROOM - DAY
TOM and BEN are sitting in front of a computer, deep in thought. The
computer screen is blank. The two of them continue to stare, until Ben falls
asleep. Tom slaps him awake.
BEN
What!?
Tom points to the computer screen and the two begin to stare again.
BEN
This sucks.
TOM
It's a screenplay in
progress. Of course it's going to suck to begin with.
Beat.
TOM
(impatient)
Oh, we just can't think of
anything.
BEN
(sly)
Maybe we can.
TOM
(sly)
Really?
BEN
(sly)
Yes.
TOM
(sly)
Tell me more pray.
BEN
Okay. I got one. A cyborg is
sent back through time to kill the mother of his future enemy.
START OF MOVIE SEQUENCE 1
FADE IN
EXT. HOUSE - DAY
A knuckled hand reaches up and knocks on the door of the house. A WOMAN
appears and opens the door a little. Through the crack in the door, a MAN
wearing sunglasses and a black leather jacket stares back at her.
MAN
(Austrian accent)
Sarah Connor?
WOMAN
Ummm. No.
MAN
My mistake.
The Man turns around and walks a little way from the door, before
stopping to look at a piece of ripped out phone page. He turns around and walks
toward the door again.
INT. HOUSE - DAY
The Woman looks out the window and sees the man coming towards the
house. She cowers in terror. There is a knock at the door once more.
MAN (O.S.)
Sarah Connor?
The terrified Woman crawls away from the door and heads into the
bedroom. She emerges with a shotgun and looks out the window once more. The Man
is walking away. The Woman collapses with a sigh of relief. Suddenly there is
another knock at the door.
MAN (O.S.)
(high pitched Austrian
accent)
Jehovah's witnesses.
WOMAN
Oh, thank Jehovah.
She stands up and begins to open the door, when suddenly it breaks
inward, sending her flying across the room. The Man walks into the house and
stands over the helpless Woman. He reaches out his hand.
MAN
Come with me if you want to
live, live, live, live.
The Man reaches up and hits himself over the head.
MAN
I'm back.
The Woman climbs to her feet and cocks the shotgun.
WOMAN
Back off MOTHER FUCKER!!!!
The Woman pulls the trigger and nothing happens. The man raises his gun.
With no other option, the Woman reverses the shotgun and hits him in the balls.
MAN
OW! My cybernetic nuts.
The Man falls over and the Woman stands there triumphantly doing a Rocky-like
victory poses.
FADE OUT
END OF MOVIE SEQUENCE 1
INT. COMPUTER ROOM - DAY
Ben has a smile on his face.
BEN
Well, what do you think?
TOM
Let me ask you a question.
Have you ever seen The Terminator?
BEN
(thinking)
Mmmmmmmm, no.
TOM
Rent it out some time. Good
flick.
BEN
So we're not going to try
that one?
TOM
No.
BEN
Okay. But I do have another
one.
TOM
(sly)
Really?
BEN
(sly)
Yes.
TOM
(sly)
Tell me more pray.
BEN
Okay. A geeky software
developer is contacted by a master hacker, who tells him that the world he's
living in is not the real world, but rather a computer generated dream world
created by computers in the real, real world.
START OF MOVIE SEQUENCE 2
FADE IN
INT. OFFICE CUBICLE - DAY
A GEEK is sitting in front of a computer screen typing furiously. He is
dressed in black clothing with a black overcoat, and he is wearing black
sunglasses. We cannot see the monitor, but the Geek continues to type
furiously. A DELIVERY MAN appears with a package.
DELIVERY MAN
Thomas Anderson?
The Geek jumps up from his chair and starts doing martial arts moves.
The Delivery Man stands there looking on.
The Geek continues doing his martial art tricks, then he stops. He sits
back in his chair and looks up at the Delivery Man.
THE GEEK
Yeah, that's me.
The Delivery Man hands him a package and a clipboard.
DELIVERY MAN
Okay. Please sign here, and
here, and here, initial here and here, girlfriend's number here, PIN number
here, and credit card number here.
The Geek signs the form appropriately and the Delivery Man turns to walk
away. The Geek is thinking about something.
DELIVERY MAN
(to himself)
...PIN number here, and
credit card number here.
The Geek returns his thoughts to the present and looks at the departing
Delivery Man.
THE GEEK
Hey, wait a minute!
The Delivery Man stops.
THE GEEK
What about my insurance
number?
The Delivery Man comes back.
DELIVERY MAN
Oh yeah...Insurance number
here.
The Geek signs the form.
DELIVERY MAN
Thank you. Goodbye, Mr.
Anderson.
The Delivery Man walks away. The Geek picks up the package and opens it
up. A dirty shoe falls into his hand. Instantly it begins to ring. The Geek
stands up and puts the shoe to his ear.
THE GEEK
Hello?
The shoe continues to ring. The Geek shakes it and a small cell phone
falls onto the floor.
THE GEEK
Whoa.
The Geek picks up the phone and answers it.
THE GEEK
Hello?
THE VOICE (O.S.)
Hello Neon, do you know who
this is?
THE GEEK
Morpheus!!
THE VOICE (O.S.)
No, you moron. My name is
Marpheass. I had to revoke my proper name due to copyright issues. You will be
called Neon...due, also, to copyright issues.
THE GEEK
Whoa.
THE VOICE (O.S.)
They're coming for you Neon.
They're coming and I don't know what they're going to do.
THE GEEK
Who's coming?
THE VOICE (O.S.)
Stand up and see for
yourself.
THE GEEK
But I'm already standing up.
THE VOICE (O.S.)
Then...Sit down, and then
stand back up again.
THE GEEK
What? Right now?
THE VOICE (O.S.)
Yes. Do it slowly.
The Geek sits back on his chair then stands back up.
THE VOICE (O.S.)
The elevator.
THE GEEK
What elevator?
THE VOICE (O.S.)
The elevator that does not
exist.
THE GEEK
What are talking about,
Marpheass, what is happening to me?
THE VOICE (O.S.)
I'll give it to you straight
Neon. The world you're living in is not the real world, but rather a computer
generated dream world built by computers in the real, real world.
THE GEEK
Whoa. So where are you?
THE VOICE (O.S.)
Right beside you.
The Geek turns to find Marpheass standing right beside him. He gives a
cry of surprise.
MARPHEASS
Come Neon. No one can be
told what I'm about to show you. You have to see it for yourself.
THE GEEK
Wait a minute. Aren't you
supposed to be black?
Marpheass looks at himself. He has white skin.
MARPHEASS
I am black.
THE GEEK
But you have white skin.
MARPHEASS
I know, but I'm using the
same skin bleach product as Michael Jackson.
THE GEEK
Why?
MARPHEASS
So Agent Smith and his men
can't find me. Dumbass.
THE GEEK
Whoa.
MARPHEASS
(cont.)
Now, I'll tell you more of
what is going on. But first you must come with me.
THE GEEK
What? Right now?
MARPHEASS
Yes, now.
THE GEEK
But I have a Dungeons and
Dragons game in an hour.
MARPHEASS
Oh Neon, you're such a geek.
I see we have a lot of work to do.
FADE OUT
END OF MOVIE SEQUENCE 2
INT. COMPUTER ROOM - DAY
BEN
...and there's some shocking
twists, slow-motion bullets and fighting. And how about this for a title: "The
Mad Tricks".
TOM
(slaps himself)
Oh My God...
BEN
Been done already?
TOM
Yeah. Any more great ideas,
Spielberg?
BEN
Well actually...Here's one.
It's about a kid who has an extra sense...
START OF MOVIE SEQUENCE 3
FADE IN
EXT. STREET - DAY
A MOTHER and her SON are sitting in a car. The Mother glances over to
the Son who sits in his seat silently.
MOTHER
You're very quiet.
(beat)
You're mad I missed the
Academy Awards, aren't you?
The Son shakes his head, "No."
MOTHER
I had to give two blow jobs,
a bondage session, let some black guy fuck me up the ass, and go down on a
girl. You know how important these things are for us.
The Mother touches herself in a sexual manner.
MOTHER
I'd give anything to have
been there to see you lose the Best Supporting Actor Oscar to Michael Caine,
that British bastard!
(she looks out her window)
I wonder what the hold-up
is.
EXT. STREET - DAY
We see that their car is the only one on the street.
INT. CAR - DAY
The Son looks up at his Mother.
SON
I'm ready to communicate
with you now.
MOTHER
(disgusted)
You know I'm not going to do
that with you. You're my son.
SON
I said
"communicate".
MOTHER
Oh. Communicate?
SON
Tell you my secrets.
MOTHER
What is it? You're really a
robot?
SON
Yes, but besides that. You
know that nightclub up there?
MOTHER
(smugly)
Yeah. Of course I do.
SON
Someone got "off".
MOTHER
"Off"?
The Son makes a rude gesture.
MOTHER
Oh. They did? Who?
SON
A man. He's gay.
MOTHER
Oh my God! You can see him?
The Mother tries to look for the man.
SON
Yes.
MOTHER
Where is he?
SON
Standing next to my window.
The GAY MAN is now visible outside the Son's window; The Gay Man makes
sexual gestures at him. The Son looks at him and then looks away with a
frightened expression.
The Mother gives her son a dubious look.
SON
What are you thinking Momma?
You think I'm a freak?
MOTHER
Look at my face...Well yes I
do think you're a freak.
The Mother returns her gaze out the window once more.
SON
Grandma says hi.
The Mother gives a sharp look at her son.
SON
She says she's sorry for
taking your dildo. She likes it a lot.
MOTHER
What?
SON
Grandma comes to visit me
sometimes.
MOTHER
Son, that's wrong. Grandma's
gone. I should know, I killed her.
SON
I know. She wanted me to
tell you-
MOTHER
Son, that's it! Open your
mouth!
The Son does so. The Mother pulls a gun out and sticks it in his mouth.
FADE OUT
END OD MOVIE SEQUENCE 3.
INT. COMPUTER ROOM - DAY
TOM
No, no, no, no, no. That's The
Sixth Sense. Where are these fucking ideas coming from?
BEN
Okay, okay. How about we
just do a slasher flick. I got a great idea...
START OF MOVIE SEQUENCE 4.
FADE IN
INT. HOUSE KITCHEN - NIGHT
A young teenage GIRL is preparing a meal, when suddenly the phone rings.
The Girl screams and picks up the phone.
GIRL
(normal voice)
Hello?
THE VOICE (O.S.)
Hello Neon. I was wondering
if you would like to know more about "The Mad Tricks".
GIRL
Who's Neon?
THE VOICE (O.S.)
Oh. I'm sorry; I must have
the wrong number. Excuse me.
The Girl hangs up and puts the phone back down on the table. Suddenly
the phone rings again and the Girl lets out another scream. She picks it up.
GIRL
(pleasantly)
Hello?
(terrified)
Who is this? What do you
want from me! Leave me alone you psycho!!
She hangs up.
GIRL
Hmmm. No one there.
The Girl goes back to preparing her meal.
THE OTHER VOICE (O.S.)
Hello Sarah.
The Girl turns around and comes face-to-face with GHOSTFACE. She screams
loudly, scaring the shit of Ghostface. He screams and runs away. The Girl
chases after him. After a Scooby-Doo style chase sequence, they come to
the front door, where THE TERMINATOR stands ready with his gun. Ghostface drops
to the floor and the Girl stops dead in her tracks.
THE TERMINATOR
Sarah Connor?
GIRL
Yes.
The Terminator cocks his gun and blows the Girl away. Ghostface stands
up and pats the Terminator on the shoulder.
GHOSTFACE
Thanks man. Wanna go grab a
bite to eat?
THE TERMINATOR
Sure, why not?
The two of them walk off. They walk past a young boy who stares at them.
BOY
I see gay people.
Ghostface pulls out his knife and stabs the boy. The Terminator stares
at him.
GHOSTFACE
What? He called me gay. Go
figure.
FADE OUT
END OF MOVIE SEQUENCE 4.
INT. COMPUTER ROOM - DAY
Tom is shaking his head. Ben sits in a triumphant stance with a smile on
his face. He looks at Tom with a victorious smirk.
TOM
Lord, why me?
BEN
Okay. How about dinosaurs?
START OF MOVIE SEQUENCE 5.
FLASH CUT TO:
EXT. FIELD - DAY
A Man is standing in a field.
VOICE (O.S.)
Dr. Grant, look out!
The man looks up and lets out a scream just as a dinosaur steps on him.
END OF MOVIE SEQUENCE 5
FLASH CUT TO:
INT. COMPUTER ROOM - DAY
TOM
No.
BEN
How about a retarded guy
sitting on a bench, talking about life.
START OF MOVIE SEQUENCE 6
FLASH CUT TO:
EXT. PARK - DAY
A RETARD sits on a park bench eating chocolates. Another MAN is next to
him.
RETARD
(Southern accent)
Mama always said, "Life
is like a box of chocolates. You never know what you're gonna-
Before he can finish, the Man sitting next to him punches him in the
face.
END OF MOVIE SEQUENCE 6
FLASH CUT TO
INT. COMPUTER ROOM - DAY
TOM
(impatient)
NO.
BEN
How about three kids lost in
the woods, being chased by a witch?
START OF MOVIE SEQUENCE 7
FLASH CUT TO:
EXT. FOREST - DAY
A series of images plays of three kids (one holding the camera) running
around and screaming their heads off.
END OF MOVIE SEQUENCE 7
FLASH CUT TO:
INT. COMPUTER ROOM - DAY
TOM
(screaming)
NO! NO! NO! NO! NOOO!
Tom drops to his knees, curls up into a ball and starts talking to
himself.
BEN
Tom, you alright?
TOM
(getting up)
Yeah, I'm fine.
BEN
Hey, why don't we leave this
until tomorrow? Let's go get a bite to eat or something and forget about making
a movie. Okay.
TOM
Yeah sure. Let's go.
The two boys pack up and walk out the front door.
EXT. BEN'S HOUSE - DAY
Tom and Ben walk outside and stop dead in their tracks. They stare
straight at the camera with shocked expressions. They walk towards us and knock
on the lens.
TOM
Dude, we're inside a
television set.
BEN
Yeah, and those people are
watching us.
TOM
You know, they kinda look
like us.
INT. BEDE JERMYN'S LOUNGE ROOM - DAY
BEDE JERMYN and TODD YATES sit comfortably on a lounge, watching the TV.
Tom and Ben are visible on the screen. Bede Jermyn looks at Todd Yates.
BEDE JERMYN
This movie sucks, Todd.
TODD YATES
Yeah Bede, it could have
been better. Where's the remote, turn it off.
ANGLE ON TV SCREEN:
Tom and Ben begin screaming at Bede Jermyn and Todd Yates, pleading for
them not to turn off the television. They continue screaming until the screen
suddenly flicks off.
CUT TO BLACK
THE END - CREDITS ROLL