This screenplay is copyrighted to its author. All rights reserved. This screenplay may not be used or reproduced without the express written permission of the author.
THE BEAST OF GEVAUDAN by Paul Williams SCENE FOREST SHEEP BLEATING IN BACKGROUND. A GIRL RUNS DOWN A STEEP UNEVEN HILL, FRIGHTENED. ANNETTE: (V.O.) Wolves are not dangerous to people. People in the Gevaudan have known that for years. We worked in the same forests, the same fields, always keeping an eye on our sheep and accepting that the odd animal would be taken by the grey ones but never believing that we were in danger. A WOLF HOWLS IN THE DISTANCE ANNETTE: (V.O.) Then it changed and I was nearly a victim. THE GIRL RUNS FASTER AND FASTER. THE HOWLING DRAWS NEARER AND THE WOLF BEGINS TO CHASE. MEN RUN UPHILL, THE GIRL STOPS, RELIEVED AND OUT OF BREATH. THE WOLF SNARLS AND FLEES SCENE MICHEAL’S HOME MICHAEL: Have another brandy girl? It will do you good. ANNETTE: I thought the beast was going to kill me. I just ran and ran then the others came. MICHAEL: You were lucky. I wish I could say the same for Agnes and the others. ANNETTE: And tomorrow? Must I take out the sheep again? MICHAEL: Your brother will go with you. ANNETTE: It’s killed men before. MICHAEL: It’s never attacked two people. We won’t let it beat us. ANNETTE: I know. I can’t help being scared. MICHAEL: We’re all frightened Annette. Yes, even me. ANNETTE: You father? MICHAEL: We must conquer fear together. ANNETTE: Do you think of Agnes? MICHAEL: I’m more concerned with my daughter who lives. The beast won’t take a second one. SCENE OUTSIDE THE CHURCH A LARGE MIXED CROWD HAS GATHERED TO HEAR THE PRIEST SPEAK. FATHER PIERRE: That is the message from the bishop. We must stand together and pray to defeat this evil. The beast is a judgment for our sins but it can be taken away. CHASTEL: What sins had Agnes committed Father? FATHER PIERRE: Your feelings for Agnes are well known Jean and I have no doubt that she is now in heaven. The punishment is for the sins of the village. All of us have contributed to Agnes’s death by our immoral and ungodly behaviour. CHASTEL: Why weren’t we slain then? Why her and the others? Why not you and me? MURMURS OF AGREEMENT FATHER PIERRE: It is a warning. A warning that nobody is safe. CHASTEL: Not if they go up the hills or into the meadows. The rest of us are fine. We can sin all we like in our own homes. FATHER PIERRE: God’s judgment is everywhere. CHASTEL: If we abstain from our bad behaviour for a week can you guarantee that the beast won’t return? SOME LAUGHTER FATHER PIERRE: I have no control over God’s decisions and it would be wisest not to mock. CHASTEL: It wasn’t a divine decision to burn my ancestors? Maybe the beast is a punishment for that crime. Did the bishop consider that? FATHER PIERRE: We must not dwell on the past or start arguing amongst ourselves. CHASTEL: My ancestors weren’t allowed to voice their opinions either. FATHER PIERRE We live in more enlightened times now. CHASTEL: We’re still afraid of what we don’t understand. FATHER PIERRE: And only God can grant us true understanding provided we honour him and do not break his commandments. SCENE OUTSIDE TAVERN: HORSES GALLOP UP, CARRYING SEVERAL MEN. THERE IS SHOUTING AND MOVEMENT AS WEAPONS AND LUGGAGE ARE UNLOADED. THEN HEAVY MILITARY BOOTS MARCH INTO THE TAVERN SCENE TAVERN THERE ARE A LOT OF PEOPLE DRINKING BUT THE ATMOSPHERE IS SUBDUED. AS THE HEAVY BOOTS OF SOLDIERS MARCH IN SILENCE FALLS. ANTOINE: Are you the landlord? MICHAEL: I am indeed sir. ANTOINE: I am Antoine de Beauret, wolf-hunter to his majesty King Louis XIV. I am here to destroy the beast that has been terrorising you for the past nine months. MICHAEL: If it can be destroyed. ANTOINE: My men are the finest hunters in France. We shall succeed. I personally have killed over four hundred wolves. CHASTEL: (LOW) Amateur. ANTOINE: Do you have a room available? MICHAEL: Just one sir. ANTOINE: One is all I need. The soldiers can sleep outside. MURMURMINGS OF DISCONTENT ANTOINE: Silence. MICHAEL: The rates are reasonable sir. ANTOINE: Rates? What is this talk of money? You would charge an emissary of the King? MICHAEL: I have to live sir. ANTOINE: The soldiers will pay for their drinks. How many people request the room at this time of year? MICHAEL: You’re the first sir but… ANTOINE: No buts. We are here to do you a favour. Ensure the soldiers are fed and watered. I shall be at the church if anyone requires me. CHASTEL: Prayers will not bring you success. ANTOINE: Hunting expertise will. CHASTEL: Expertise. What can a city dweller know of this region? Your wolves were they all killed in a park? SOME LAUGHTER ANTOINE: Do you not want your children protected? CHASTEL: We fight our own battles. ANTOINE: With what? Pitch forks and spades. Leave this to the professionals. CHASTEL: If the army is so professional then why hasn’t it conquered Europe? ANTOINE: It will my friend. It will. SCENE PRESBETRY ANTOINE IS EATING AND SIPPING WINE FATHER PIERRE: You are most welcome. I trust the journey was pleasant. ANTOINE: Tolerable. It is good hunting country. FATHER PIERRE: The beast has found it so. ANTOINE: And the stories are all true? His majesty thought there might be some exaggeration. FATHER PIERRE: Inevitably the facts will have been embellished but I have buried fifteen victims so far and three of them in the past fortnight. ANTOINE: None of the wolves slain by my sword were man-eaters. I never thought I would encounter one. FATHER PIERRE: This may not be a wolf. ANTOINE: What else could it be? FATHER PIERRE: Divine punishment, Satan, another animal altogether or a werewolf. Those are the alternatives. ANTOINE: So the people here are as backward as I was led to believe. There are no werewolves. FATHER PIERRE: Less than a century ago three were executed in this district. I understand that there have also been executions in Paris in recent times. ANTOINE: Of lunatics who killed and raped children under the delusion of lycanthropy. FATHER PIERRE: You may call it madness. Some would call it possession. ANTOINE: Is that what you believe? That your flock are being killed by men who change into wolves? FATHER PIERRE: Nobody, in history, has witnessed such a spate of ferocious attacks by a wild animal, save for those which were rabid. ANTOINE: Six months is a long-time to survive rabies. FATHER PIERRE: Too long. Besides rabies hampers intelligence. This beast has hidden itself well from hunters. ANTOINE: It will not hide from mine. FATHER PIERRE: When your soldiers march into the thicket all wildlife will take fright and vanish. ANTOINE: We will find its den. FATHER PIERRE: If it is a mortal animal and has a den you may discover it. I do not have much confidence. ANTOINE: So you do favour a supernatural explanation? FATHER PIERRE: The terrain is large and the beast knows it better than your men. I don’t regard God as supernatural; he works within the hearts of men. ANTOINE: But not the hearts of animals surely? FATHER PIERRE: He controls all of nature. Everything from the tiniest insect to the largest wolf. Only humans refuse to do his bidding and therefore he will utilise the powers of nature to punish them. ANTOINE: When I see wolves dragging people from the brothels of Paris I might start believing. SCENE TAVERN THINGS ARE GETTING SLIGHTLY RAUCOUS WITH THE SOLDIERS SHOUTING AND OCCASIONALLY BREAKING INTO DRUNKEN SONG CHASTEL: France’s finest. MICHAEL: You can see why there is unrest against the king. CHASTEL: Ssh? You talk treason in a pub full of soldiers. MICHAEL: Look at them ogling the ladies. I prefer my Agnes dead than in their hands. CHASTEL: Annette had better not come to the bar tonight. MICHAEL She may be needed to serve. CHASTEL: She has been in the field all day. MICHAEL: If this lot continue at the rate they’re going and we get the farmers in then we will need extra people serving. CHASTEL: You could always refuse to serve the soldiers. They need to stay alert if they are scouring the woods tomorrow. MICHAEL: I’m happy to take their money. It will pay for the balance of Agnes’s funeral. CHASTEL: Don’t keep talking about Agnes. MICHAEL: I know how you feel. CHASTEL: Do you? MICHAEL: Annette is identical in character as well as looks. I would have no objections if you transferred your interest. CHASTEL: This is not the time to plan a wedding. MICHAEL: I think it would be a good time. The announcement would make it easier for you. CHASTEL: A public display of trust from you would indeed enhance my standing in the community. If I was unduly bothered about the perceptions of my peers. MICHAEL: Some of the men are spreading rumours. CHASTEL: That witchcraft and the lycanthropic gene in particular are inherited. MICHAEL: That’s the gist and I don’t like it. CHASTEL: No more do I. ANTOINE ARRIVES IN A BAD MOOD ANTOINE: (SHOUTS) Get out. All of you. You’re a disgrace to his majesty. MUMBLING AND SWEARING THE SOLDIERS DEPART ANTOINE: Two of you patrol the village all night. CHASTEL: The beast has never come down to the village. Nor does it hunt at night. ANTOINE: Surely you will sleep more soundly knowing that you are protected. CHASTEL: I’m sure the women will be reassured even if their husbands aren’t. ANTOINE: If any of my men harass the women here they will be punished. You have my word on that. SCENE OUTSIDE BLACKSMITH’S: CHASTEL WALKING SLOWLY AND EXHALING IN FEAR FATHER PIERRE: Bit late for a social call to the blacksmith’s isn’t it Jean? Especially when unaccompanied by a horse. CHASTEL: Father (PAUSE) I was just (PAUSE) passing by. FATHER PIERRE: Show me what he has made for you. CHASTEL: Nothing. FATHER PIERRE: Show me. JANGLING SOUND AS CHASTEL REMOVES SOMETHING FROM HIS POCKETS FATHER PIERRE: Silver bullets, Jean? CHASTEL: You know the stories father. FATHER PIERRE: I know the rumours that connected the blacksmith’s family with yours. A friendship that goes back centuries. CHASTEL: We haven’t done anything. FATHER PIERRE: You understand the black art and now you protect yourself. Just remember this Jean Chastel, a bullet will kill any living creature. The colour is irrelevant. CHASTEL: And if the creature doesn’t live, father? What then? FATHER PIERRE: It cannot be killed. FATHER PIERRE WALKS AWAY. CHASTEL, STLL FRIGHTENED, LISTENS TO THE FOOTSTEPS WHICH FADE TO BE REPLACED BY THE HEAVIER TREAD OF A SOLDIER SOLDIER: You there. What are you doing out here? CHASTEL: What business is it of yours? SOLDIER: I am empowered to enforce the curfew. CHASTEL: Curfew? This isn’t Paris; the streets are safe at night. SOLDIER: Antoine wishes to protect everyone from the beast. CHASTEL: We protect ourselves. See (PAUSE) look there. SOLDIER: Silver bullets. CHASTEL: Your weapons may not work soldier. Be afraid. CHASTEL STARTS TO WALK AWAY SOLDIER: Stop. Where are you going? CHASTEL: Home, soldier. I’m going home. FOOTSTEPS FADE AWAY. THE SOLDIER STANDS STILL. A WOLF HOWLS IN THE DISTANCE.. THE SOLDIER BECOMES ALERT AND NERVOUS. THE HEAVY BREATHING OF AN ANIMAL IS HEARD, THE SOLDIER TAKES A FEW PACES BACK, EXCLAIMS IN ALARM THEN THERE IS A HEAVY THUD AS SOMETHING CRASHES HIM INTO HIM. SCENE OUTSIDE BLACKSMITH’S A CROWD HAS GATHERED, WORRIED AND CONCERNED ANTOINE: Prepare the corpse for burial. Send word to Paris to alert his family. Also say that nobody should enter the village from now on. FATHER PIERRE: You cannot enclose the village, Antoine. We may be isolated but there are essential contacts needed with our neighbours. ANTOINE: I cannot put anyone else at risk. FATHER PIERRE: The wolf has now penetrated the fold. It chose not to attack a local girl but a grown soldier. There were horses in the stables, chickens and sheep in the pens. Yet it decided to ignore them. Are you still certain this is just a wolf? ANTOINE: I don’t believe in superstition. FATHER PIERRE: The people do. (PAUSE) ANTOINE: Listen to me everyone. The beast may have killed one soldier but it cannot fight against the platoon. We will ride out immediately to confront it and I will deliver the head to the door of your church. The head of an animal not a sorcerer or a demon. : (PAUSE) THE CROWD BEGINS TO DISPERSE FATHER PIERRE: If the beast is a punishment sent by God you will not be able to stop it. ANTOINE: If God wanted to punish this village he would do it through famine or drought. You’re trying to scare them. FATHER PIERRE: Why would I want to do that? ANTOINE: Because frightened people go to church for protection. FATHER PIERRE: No, frightened people stay indoors and protect themselves. The only person profiting from this is the blacksmith, I understand there has been an increase in demand for silver bullets and swords. ANTOINE: The undertaker is also profiting. Arrange this man’s funeral, the best coffin you can get. His Majesty will pay. FATHER PIERRE: A generous gesture which the people may remember when their crops fail and no compensation comes from the royal palace or when they starve because money for food has been spent burying their own children. ANTOINE: The king looks after his subjects. FATHER PIERRE: Yes, if they are in the army or live in Paris ANTOINE: If you weren’t a priest I would arrest you for treason. Why would his majesty send me here if he didn’t care? FATHER PIERRE: He cares about the publicity. Only since the beast became famous, by exaggeration, has he shown an interest. The terror started last year Antoine. ANTOINE: And it will end this year. FATHER PIERRE: I hope and pray that you are right. ANTOINE: Bullets not prayers will bring this matter to an end. SCENE HILLSIDE SEVERAL HORSES GALLOPING. THEY COME TO A STOP WITH MEN CALLING TO THEM ANTOINE: You girl, come here. SLOW FOOTSTEPS OF ANNETTE ANNETTE: I cannot leave the sheep sir. ANTOINE: The boy can watch them. Come, we have travelled for hours without seeing a soul. ANNETTE: We are not permitted to leave them alone now sir. ANTOINE: You have some of France’s best soldiers close by. No wolf would dare approach. ANNETTE: It approached one in the village last night. (PAUSE) Sorry sir. ANTOINE: You are from the village? ANNETTE: You are staying at my father’s tavern. ANTOINE: I did not see you there. ANNETTE: Some nights I help in the bar sir. ANTOINE: As well as tending to the sheep by day. ANNETTE: My twin sister, Agnes, used to do the sheep sir. Before she was taken. ANTOINE: By the beast? I’m sorry. ANNETTE: There isn’t much time to grieve. ANTOINE: Then you must find time. Tonight when you return home come and dine with me. ANNETTE: My father wouldn’t like that sir. ANTOINE: Why not? ANNETTE: It is likely that l will be engaged soon sir. I should not be seen with another man. ANTOINE: We don’t have to be seen. I can eat in the privacy of my room where you are welcome to join me. ANNETTE: I couldn’t sir. Really I couldn’t. ANTOINE: I insist. Will you not share a meal with the man who will avenge your sister? ANNETTE: I must be getting back sir. Goodbye. ANNETTE MOVING AWAY. A SOLDIER LAUGHS SARCASTICALLY ANTOINE: Twenty lashes for that man. SCENE PRIEST’S HOUSE FATHER PIERRE AND ANTOINE ARE DRINKING AND ANTOINE IS FLICKING THROUGH PAPER FATHER PIERRE: The records are quite extensive. They surprise you? ANTOINE: I didn’t expect to find anyone literate out here. FATHER PIERRE: I promote the education of the young but it is difficult. They are needed to work on the farms and in the fields. For them learning does not open any doors, unless they have the right temperament for the priesthood. ANTOINE: And you read them these stories of werewolves? FATHER PIERRE: Historical accounts not stories. ANTOINE: This name is familiar, Jean Chastel. FATHER PIERRE: A lycanthrope who achieved notoriety throughout France before his execution. Perhaps someone read you his story? ANTOINE: No, there is a man in the village of the same name who was rude to me in the tavern. A descendant? FATHER PIERRE: I have not researched it. ANTOINE: Are you so unfamiliar with the lineage of your subjects? (PAUSE) By lying you break one of the commandments. FATHER PIERRE: The Chastel family have suffered enough. Still some people blacklist them although Jean would have married Agnes. ANTOINE: The landlord’s daughter? FATHER PIERRE: The same. ANTOINE: This Jean Chastel, according to witnesses, appeared as a wolf and slew three people. I cannot believe it. FATHER PIERRE: The graves of the victims can still be seen in the churchyard. ANTOINE: Suppose he was wearing a wolf-skin? That would remove the diabolical element. FATHER PIERRE: There are precedents. Some of the other werewolves admitted to dressing in wolf skins. ANTOINE: You prefer to believe he was possessed by the Devil? FATHER PIERRE: I prefer not to judge situations where I am not a witness. ANTOINE: Jean Chastel was seen talking to the dead soldier last night. FATHER PIERRE: By whom? ANTOINE: One of the villagers in a cottage nearby. FATHER PIERRE: Yet nothing was heard of the attack. As I said some people still shun Jean and his family. ANTOINE: They think he is the beast. FATHER PIERRE: You don’t believe in lycanthropy. ANTOINE: I do believe in men who wear animal disguises to commit crimes. FATHER PIERRE: Jean Chastel is worried about the beast. ANTOINE: Is he? Or does it concern him that I’m here to locate the truth? FATHER PIERRE: You will not find the truth, or the beast, in Chastel’s cottage. ANTOINE: Will I find the skin of a large wolf? The costume of a murderer? SCENE TAVERN SUBDUED DRINKING, THE LOCALS RESENT THE SOLDIERS BEING PRESENT CHASTEL: You’re very quiet Annette. Do you not like serving me? ANNETTE: I’m tired but wish all the customers were like you. CHASTEL: You want me to have rivals for your hand? ANNETTE: You make me sound like a piece of meat. Anyway there are others interested. CHASTEL: Out of all the peasants I am the most handsome and the most sophisticated. The one who has benefited most from the priest’s education. My way of trying to redeem the family name and when you join the family that redemption will be complete. ANNETTE: If not when. CHASTEL: Is it too soon because of Agnes? ANNETTE: No. We, father and me, think it’s best that we move on quickly. CHASTEL: I will support you in that. ANNETTE: There are others who wish to support me too and they are not all peasants. CHASTEL: Who? (PAUSE) Has he said anything? ANNETTE He asked me to dine with him. CHASTEL: To become his whore and in your father’s house. ANNETTE: I think he meant well. CHASTEL: He despises us. They all do. This is just a game to them. ANNETTE: Nobody could despise me. (PAUSE) Where are you going? CHASTEL: Where do you think? ANNETTE: No. CHASTEL: (SHOUTS) Antoine. SILENCE APART FROM CHASTEL’S HEAVY BREATHING ANTOINE TAKES A LONG SLOW SIP ANTOINE: Yes. CHASTEL: Might I have a word in private. ANNETTE: No. ANTOINE: Be my guest. It isn’t that cold outside. THEY MOVE AWAY, ANNETTE GASPS MICHAEL: Stay Annette. I need you to serve. ANNETTE: But… MICHAEL: Stay. ANNETTE: It’s all my fault. I shouldn’t have said anything. MICHAEL: Let Jean fight his own battles. SCENE OUTSIDE THE TAVERN IT IS SNOWING. FOOTSTEPS OF ANTOINE AND CHASTEL APPROACH ANTOINE: Well. CHASTEL: She’s my girl. ANTOINE: I didn’t see a bill of sale. CHASTEL: Go home. You’re not wanted here. ANTOINE: If I’m not here who will protect your girl from the beast? CHASTEL: We’ll manage. ANTOINE: As you managed with the sister? A WOLF HOWLS IN THE DISTANCE ANTOINE: A normal wolf or… DOOR OF THE TAVERN OPENS, PEOPLE ARE MUTTERING MICHAEL: Did you hear that? ANTOINE: We will investigate. Come men. CHASTEL: I will go with you. ANTOINE: This is a job for soldiers. CHASTEL: That inebriated lot don’t know the area. They could easily fall into the marshes. MOVEMENT AND THE SOUNDS OF HORSES BEING PREPARED CHASTEL: Besides it came into the village last night. They might be needed here. ANNETTE: You can’t go. ANTOINE: I will accept your offer. Come, be my guide. THE TWO MEN SADDLE THEIR HORSES AND RIDE OFF SCENE HILLSIDE AT NIGHT THE RIDERS TROT AT A STEADY PACE, LISTENING TO SOME ANIMAL NOISES ANTOINE: You say it never came at night before. CHASTEL: Not before yesterday. The howling was unusual. ANTOINE: Surely not an uncommon sound in these parts. CHASTEL: Most of the wolves stay away from the village. They lurk around the sheep at dusk but only this one has attacked the shepherd girls. ANTOINE: They are normally scared. Man is the hunter and the wolf his prey like every other creature. Humans control nature not God. CHASTEL The priest would call that blasphemy. ANTOINE I have yet to see an animal obeying God. Where are you going? CHASTEL: Over the marsh. The horse is pulling in the opposite direction which suggests that there’s something that he’s afraid of. ANTOINE: Or that he fears losing his footing in the marshes. CHASTEL: Not with an expert rider. Stay close to me. ANTOINE: I am an expert hunter. I don’t need advice… (SHOUTS IN ALARM) FRIGHTENED SQUEALING OF HORSE AS ANTOINE FALLS IN THE MARSH. SQUELCHING SOUNDS CHASTEL: I told you to stay close. ANTOINE: Don’t just stand there, get me out. CHASTEL: I could leave you. ANTOINE: What? CHASTEL: You come to the village and hassle our women, not just you by the way there have been complaints about several soldiers. You treat us like primitives. ANTOINE: If you don’t help lift me out now I will arrest you. CHASTEL: You’re hardly in a position to dictate to me. ANTOINE: Release me. CHASTEL: Fortunately we’re not primitives and enough people have died around here lately. CHASTEL DISMOUNTS ANTOINE’S BREATHING BECOMES DEEPER AS HIS SUSPICIONS RETURN ANTOINE: What are you waiting for? Release me. CHASTEL: Behind you. ANTOINE’S MOVEMENTS ARE HAMPERED BY THE MARSH ANTOINE: What are you looking at? CHASTEL: It’s over there. CHASTEL MOUNTS HIS HORSE WHICH IS VERY FRIGHTENED. ANTOINE: Where are you going? CHASTEL: I’ll be back. There’s a wolf close by. I need to get nearer to get a shot in. ANTOINE: I demand that you release me first. CHASTEL: It could be the beast. CHASTEL RIDES OFF. ANTOINE BECOMES MORE ANXIOUS AND STARTS SHOUTING ANTOINE: Come back at once. Release me. SCENE TAVERN: DOOR OPENS AND A GROUP ENTER. LAUGHTER FROM THE CUSTOMERS, MICHAEL AND ANNETTE ANTOINE: Where is Chastel? (PAUSE) Stop laughing. MICHAEL: Forgive us sir, the marshes are treacherous. ANTOINE: Especially when assisted. Where is Chastel? MICHAEL: Gone home. ANTOINE: He left me to die. MICHAEL: No, he was on his way back when he saw the soldiers heading to your rescue. ANTOINE: Lies. ANNETTE: He was after the beast. ANTOINE: And he killed it, I suppose. The great Jean Chastel. MICHAEL: He killed a wolf. (PAUSE) But it wasn’t the beast. That privilege has been saved for you on another day when you are more familiar with the terrain. ANTOINE: Which is Chastel’s house? (PAUSE) Answer me. SCENE OUTSIDE CHASTEL’S HOUSE THE PEACE OF THE NIGHT IS BROKEN BY THE SOLDIERS MARCHING, SOME WINDOWS OPEN AND PEOPLE MUTTER. HEAVY KNOCKING ON A DOOR ANTOINE: Open in the name of the King. THE DOOR OPENS CHASTEL: Is his majesty here? Surely not. ANTOINE: I am arresting you Jean Chastel. You are advised to surrender quietly. CHASTEL: Supposing I don’t. ANTOINE: My men are armed. CHASTEL: I thought those weapons were for the beast. ANTOINE: Some would say they are one and the same. CHASTEL: You don’t believe that superstition do you? ANTOINE: I will slay the beast, whatever it is. Come. CHASTEL: Am I allowed to get dressed first? ANTOINE: Of course, we would not want you to die of cold. SCENE PRIEST’S HOUSE FATHER PIERRE HAS PREPARED DRINKS FOR HIMSELF AND ANTOINE FATHER PIERRE: Where is Chastel now? ANTOINE: Under guard in an unoccupied house. There are no jails here. FATHER PIERRE: Crime is not high in the villages. We support each other. ANTOINE: A shame that such support does not extend to strangers especially when they have your best interests at heart. SCENE CHASTEL’S PRISON EARLY MORNING, COCK CROWING IN BACKGROUND. CHASTEL IS SLEEPING BUT WAKES WHEN THE DOOR OPENS CHASTEL: Is this breakfast? Annette! ANNETTE: Jean, I’m so sorry. CHASTEL: It’s not your fault. ANNETTE: Would he have arrested you if he didn’t want me? CHASTEL: Probably. You look tired. ANNETTE: I haven’t slept through worry. CHASTEL: And now you’re taking the sheep out? ANNETTE: With my brother. CHASTEL: Be careful. Last night I saw some tracks much larger than those of the wolf, certainly not made by the one I killed. ANNETTE: You were brave to tackle it alone. CHASTEL: Antoine has killed more, allegedly. ANNETTE: Do you really think I would go away with him? CHASTEL: I’m not doubting your morality. ANNETTE: Never doubt me Jean. CHASTEL: I might not be around to doubt. Attempted murder is a hanging offence. ANNETTE: They can’t! CHASTEL: Antoine thinks he can do anything he wants. ANNETTE: If he gets what he wants maybe he will spare you. CHASTEL: I forbid it. ANNETTE: You’re not my father Jean Chastel. I’d better go. CHASTEL: Don’t do it Annette. Avoid Antoine. SCENE ANTOINE’S ROOM AT THE INN MICHAEL: Sorry to disturb you sir, I know you had a long night. ANTOINE: I’m glad that your manners have returned this morning. I will be leaving shortly to look for the beast. Please ensure my men are fed, nothing for me. I have no hangover to destroy. MICHAEL: I was hoping I might speak to you sir. ANTOINE: That is what you are doing. Please continue. MICHAEL: Well it’s like this, Jean, that’s Jean Chastel, is a regular customer here. Some people like him and they were wondering, well asking really, if it was right for you to stay here. ANTOINE: You don’t want me. There’s gratitude for you. Especially when I understood that many people are suspicious of Chastel. MICHAEL: It’s not me sir. I’m glad of your presence. Although you’re not paying for the room there’s been a lot of money handed over the bar. Enough to bury one daughter. I want this thing killed. Annette and her brother are out there in the fields today. ANTOINE: I shall succeed and I understand your dilemma. Give me time, say a week. Then, if I have to remain in the area, I will seek alternative lodgings. MICHAEL: Thank you sir. MICHAEL EXITS, CLOSING THE DOOR ANTOINE: Are there alternative lodgings here. Perhaps I should camp out. Perhaps then the beast will come to me. I will mount its head on the door of this tavern. I will. God help me, I will. SCENE HILLSIDE SHEEP GRAZING, ANNETTE IS HUMMING. QUIET PADDING OF FEET, RUSTLING OF BUSHES, SOFT GROWLING THEN THE SOUNDS OF A SCUFFLE. A MAN SCREAMS. THE GROWLING INTENSIFIES AND THE SHEEP ARE DISTURBED, FLEEING IN ALL DIRECTIONS ANNETTE: (SCREAM) Michael! ANNETTE STARTS RUNNING DOWNHILL, PANTING FRANTICALLY. MEN ON HORSES APPROACH AND SLOW ANTOINE: Annette. ANNETTE: Up there. It’s killed Michael, my brother. Oh God. ANTOINE: You, take the girl back to the village. See she has a warm drink. Rest of you, come with me. The beast won’t escape this time. HE SETS OFF AT A GALLOP, THE HORSE RELUCTANT SCENE CHASTEL’S PRISON CHASTEL: Father Pierre. FATHER PIERRE: Greetings Jean. CHASTEL: I assume you’ve come for my last confession. FATHER PIERRE: You haven’t been condemned. CHASTEL: Not yet. FATHER PIERRE: There are procedures to go through. CHASTEL: Procedures. You know what happened to my ancestors. FATHER PIERRE: We are more enlightened these days. CHASTEL: So I may get buried in hallowed ground. Would you do the service father, pretend I was a good Christian? FATHER PIERRE: Do I need to pretend? You have always been a good neighbour to the people in the village. I still have hopes of performing your wedding ceremony. CHASTEL: Would anyone go apart from the bride and her family? FATHER PIERRE: The villagers do not like Antoine and the soldiers. They may recast you as a hero. Already some have told Michael that they would rather drink with you than Antoine. SOUND OF A HORSE GALLOPING PAST. THE DOOR OPENS FATHER PIERRE: One of the soldiers has brought Annette back from the hills. I must go. CHASTEL: Annette? Is she injured? FATHER PIERRE: I’m afraid it looks that way. CHASTEL: Take me to her. FATHER PIERRE: You know I can’t do that. CHASTEL: What authority does Antoine have here? FATHER PIERRE: That invested in him by the King. DOOR CLOSES. CHASTEL KICKS IT CHASTEL: Screw the King. SCENE PRIVATE ROOMS AT TAVERN FATHER PIERRE: We must thank the lord that she was saved. MICHAEL: What about Michael? What about my son? What about Agnes. Nobody saved them. Tomorrow I am closing the tavern and going with the men to find the beast. FATHER PIERRE: Trained soldiers are searching now. If they cannot succeed what chance have you got? MICHAEL: You think I should wait until my friend is executed and my only surviving daughter gets taken? SOUNDS OF ANNETTE WAKING FATHER PIERRE: The child is stirring. KNOCKING ON THE DOOR MICHAEL: Enter. DOOR OPENS AND ANTOINE ENTERS, OUT OF BREATH ANTOINE: We scoured the area. Never have our horses moved so fast. Oh for a couple of good dogs to catch the scent. I should have brought them from Paris. FATHER PIERRE: You were unsuccessful? ANTOINE: Foxes crossed our path, even one wolf. All lie dead where they fell. We couldn’t find the beast. I must ask the girl some questions. MICHAEL: She is resting. ANNETTE: I’ll be fine. ANTOINE: Let me see your injuries. A DRESS IS LIFTED, ANNETTE WINCES MICHAEL: Don’t show your legs Annette. ANTOINE: I wanted to examine the wounds. The injuries are fascinating. MICHAEL: Fascinating? Two of my children are dead and it was nearly three. ANTOINE: Up there, on the harsh slopes, I questioned for the first time if it was a wolf that we sought. It is scarcely credible that it would leave no trace so soon after the attack. FATHER PIERRE: You thought it was a werewolf. ANTOINE: Or a man in disguise but those bites were made by an animal. Take note. FATHER PIERRE: Did you see anyone? ANTOINE: No peasants who might have changed form temporarily. We will continue to hunt. We will avenge your son landlord. MICHAEL: As you avenged my daughter? ANTOINE: Tonight I will pay for my own lodgings. I’m sure that the money will be needed. MICHAEL: I don’t want your charity. ANTOINE: We rounded up your sheep. They’re in the pens. MICHAEL: Who will take them on the hills tomorrow? Not Annette. ANNETTE: No. ANTOINE: There are others in the village with sheep. Perhaps if they combined there would be more protection. The beast might think twice about attacking six boys. MICHAEL: The only man I would trust with my livestock is your prisoner. ANNETTE: Father. MICHAEL: Yes. ANNETTE: Father Pierre, I need to talk to you alone. FATHER PIERRE: Perhaps you could wait outside. MICHAEL AND ANTOINE LEAVE. ANNETTE IS SPEAKING SLOWLY, STILL TRAUMATISED. ANNETTE: Father I must ask you about Jean. FATHER PIERRE: He is still a prisoner. ANNETTE: Can you not persuade Antoine? FATHER PIERRE: I will try but am not confident. He isn’t a bad man. He sincerely believes that Jean left him to die. We know Jean well enough to know that is unlikely. ANNETTE: So he’ll be killed? FATHER PIERRE: The longer Antoine goes without the blood of the wolf the more he will want to assert his authority in other ways. You have to remember that he is fighting the villagers now. We should all be co-operating to defeat the beast. ANNETTE: Releasing Jean would be a sign of goodwill. FATHER PIERRE: Or of weakness, depending on how you interpret it. ANNETTE: I could speak to him but father wouldn’t like us being alone. Unless Antoine knew to meet me elsewhere. FATHER PIERRE: Child I cannot be a party to deception. ANNETTE: Don’t you want to help save Jean’s life? FATHER PIERRE: Of course but you need to trust in God. SCENE PRIEST’S HOUSE A QUIET ROOM ANTOINE: It’s most irregular to be meeting at the priest’s house. ANNETTE: Father did not want me to go out at all. He walked me here because I said I needed spiritual guidance. The priest will take me back and father need never know that we spoke. ANTOINE: What guidance did you want from me? ANNETTE: Can you not guess? ANTOINE: You want your lover released. ANNETTE: He’s not my lover. We do things differently here. ANTOINE: I am not the villain you suppose. ANNETTE: That is what the priest said. ANTOINE: It would be easy for me to take advantage of you here, yes even in the house of the priest. ANNETTE: Would that save Jean? ANTOINE: I will consider Jean’s case on the facts and the facts only. ANNETTE: But you see the facts differently. He wouldn’t have left you to die. ANTOINE: You know of his past. ANNETTE: The family history? Yes. ANTOINE: And you still wish to marry him? ANNETTE: I will take Agnes’s place at the altar assuming that you don’t deprive me. ANTOINE: As the king’s representative I am only interested in justice. SCENE CHASTEL’S PRISON FOOTSTEPS. ANTOINE: You don’t have to get up. CHASTEL: I didn’t intend to. This straw is rather comfortable. My ancestors were chained to prevent them escaping. ANTOINE: Silver chains, I presume. CHASTEL: A man who carries silver bullets does not intend suicide. Besides I was here when the beast attacked. Your guards would have seen a wolf rushing past them. ANTOINE: I am not stupid enough to think that you are a lycanthrope. CHASTEL: But my ancestors were, officially. ANTOINE: I do not believe that either, CHASTEL: Will you petition the king for a pardon to clear their names? ANTOINE: We live in different times now and I am only concerned with present crimes. CHASTEL: I have committed none. ANTOINE: You left me to die. CHASTEL: Killing the beast was my priority, I meant to come back. ANTOINE: You put that ahead of my life. CHASTEL: This beast will kill a hundred if it isn’t stopped. Would you halt to rescue a peasant if you were on its trail? ANTOINE: I am not a peasant and yes, I would so stop. CHASTEL: A noble attitude. Life is cheap here. People die of diseases unknown in your big mansions and cities. ANTOINE: I come from the countryside and do not own a mansion. Remember I have killed many wolves. CHASTEL: Aye, with dogs and a hundred men behind you but how many times have you confronted a wolf face to face? How many times have you taken that risk? Little girls here do it regularly when they take the sheep out and most wolves are deterred. Why is this one different? ANTOINE: I don’t know but I do know now that it isn’t a man. CHASTEL: How many of Annette’s sheep did it take? ANTOINE: I will have to ask the landlord. CHASTEL: He told me earlier. None. Wolves love the taste of sheep. They don’t need to chop and roast it as we do. Yesterday was a fine feast but instead the beast chose to attack a man. ANTOINE: The behaviour is unusual. CHASTEL: It’s unique. You can see why people think it’s a werewolf. Some of them think it is me because of my history. ANTOINE: That’s why you carry the silver bullets. CHASTEL: Yes. It shows that I am truly human and stops my peers from putting a bullet through me. Bit pointless really as you intend to execute me. ANTOINE: I intend to investigate the incident. CHASTEL: And execute me if guilty, by the rope rather than the stake? ANTOINE: Justice will be done. CHASTEL: Your justice is just as corrupt as the one which killed my ancestors. ANTOINE: Unlike their persecutors I am prepared to listen. CHASTEL: Prove that the enlightened age has arrived in the countryside. SCENE ANNETTE’S BEDROOM ANNETTE: Dear Lord I ask that you protect me and my father and the rest of the village from the beast. Forgive me my sins; forgive me for going to Antoine with wicked thoughts. Please let Jean be spared. If you must kill someone else then let it be me. Please Lord, please help us survive. Agnes, if you’re up there pray for me. SCENE OUTSIDE TAVERN: EARLY MORNING THE SOLDIERS ARE GETTING ON THEIR HORSES, CHATTING AND PERHAPS A BIT LIVELIER THAN BEFORE. IT’S A WARMER DAY ANNETTE: Today my men. Today we shall find and slay the beast of Gevaudan. THEY RIDE OFF SCENE CHASTEL’S CELL ANNETTE: There’s no guard. CHASTEL: Where am I going to run to? Antoine now trusts me not to escape. ANNETTE: But if they want to hang you then you must go. CHASTEL: And camp with the beast? Better a quick death at the end of a rope but there would be one consolation. ANNETTE: What’s that? CHASTEL: If the beast was consuming me it would be sparing you. ANNETTE: Come to the tavern Jean. Sit with me, keep me company. It would help me recover. SCENE IN THE HILLS THE SOLDIERS HUNTING, HORSES GALLOPING QUICKLY, A FEW DOGS BARKING AS THEY MANAGED TO BORROW SOME FROM THE VILLAGERS. OTHER WILDLIFE RUNNING AWAY, ANXIOUS AT THE INTRUSION. SHOUTS OF EXCITEMENT ANTOINE: There she goes. THE SOUND OF THE CHASE, HORNS BLOWING SLOWLY AT FIRST THEN MORE TRIUMPHANT. CLOSE IN ON THE SOUND OF THE FIRST HUNTER, ANTOINE AS HE GALLOPS FORWARD, BREATHING EXCITEDLY. THE FAINT PANTING OF A WOLF CAN BE DISCERNED. ANTOINE’S HORSE GOES FAST, WE HEAR THE WOLF MORE NOW. TERRIFIED IT CONTINUES TO RUN BUT THE GAP NARROWS AND THEN SUDDENLY, THERE IS A SINGLE SHOT AND ANTOINE’S HORSE COMES TO A HALT FOLLOWED BY THE OTHERS. SOME MEN ARE CHEERING BUT IT IS ANTOINE’S VOICE WHICH CAN BE HEARD ABOVE THEM ALL ANTOINE: Behold the beast of Gevaudan. MORE CHEERING SCENE TOWN SQUARE MANY VILLAGERS HAVE GATHERED, EXCITED. THE HORSES RIDE IN AT A NORMAL PACE. THE WOLF IS FLUNG ON THE FLOOR WITH A HEAVY THUD. ANTOINE DISMOUNTS ANTOINE: Behold the beast of Gevaudan. The largest wolf I ever saw. ANNETTE: (WHISPER) It’s too small. The one that got Michael was much bigger. And it was male. CHASTEL: Let him have his moment. ANTOINE: I have kept my promise to you and to the King. SOME CHEERS. A FEW VILLAGERS AREN’T CONVINCED ANTOINE: Now I will join you for a celebratory toast. Tonight all the drinks are on me. SCENE TAVERN EVERYONE IS GETTING VERY DRUNK, EXCEPT FOR ANNETTE WHO IS SERVING ANNETTE: Will you leave tomorrow Monsieur? ANTOINE: Indeed I will, assuming that the soldiers are sober enough to mount their horses. If not maybe I will leave them behind. ANNETTE: Some of the village women would appreciate that. ANTOINE: But not you. ANNETTE: That depends on what you do with Jean. ANTOINE: He isn’t here. ANNETTE: Would you want to drink with your executioner? ANTOINE: I will talk with him. SCENE CHASTEL’S HOUSE KNOCKING ON DOOR, GENTLE AT FIRST THEN FIRMER. IT IS OPENED. CHASTEL: Is this a social call? ANTOINE: May I come in? CHASTEL: Indeed. ANTOINE COUGHS AS HE GOES IN ANTOINE: Pictures of your ancestors. CHASTEL: A local man painted them in jail. See the resemblance. ANTOINE: Indeed. CHASTEL: What have you done with the wolf’s carcass? ANTOINE: I will take the skin to Paris. CHASTEL: To be displayed as your finest achievement? ANTOINE: I consider it a failure. If it had been slain sooner Annette’s brother would still be alive. CHASTEL: What of her intended? Is he to be spared? ANTOINE: I bear you no ill will. CHASTEL: I’m delighted to hear it. ANTOINE: Will you not join us for a drink? CHASTEL: I don’t see that there’s anything to celebrate. You may have killed an exceptionally large wolf but it isn’t the beast. ANTOINE: That remains to be seen. CHASTEL: Indeed but you will not be here to see it. SCENE TAVERN IT IS THREE MONTHS LATER. EVERYONE IS CELEBRATING FATHER PIERRE: Of all the weddings that I have celebrated this one gives me most pleasure. CHASTEL: The pleasure is all mine Father. FATHER PIERRE: Let us hope that your children grow up in a peaceful environment. CHASTEL: Is there any reason why they would not? FATHER PIERRE: There is a lot of unrest against the King. CHASTEL: That has always been the case. FATHER PIERRE: The peasants have always complained, I hope you’re not offended by that title, but now they have more power than before. When the citizens of Paris start openly preaching rebellion it cannot be long before words turn into action. CHASTEL: That won’t affect us here. FATHER PIERRE: It could affect the whole world. ANNETTE: (SCREAMING) Jean, Jean. SHE RUNS UP, THE OTHERS IN THE TAVERN ARE SILENT CHASTEL: What’s wrong? ANNETTE: Outside. CHASTEL: What is? ANNETTE: The beast. It’s back. QUICK MOVEMENT AS CHASTEL RUNS TO THE DOOR FATHER PIERRE: The boy is injured. CHASTEL: He’s dying. ANNETTE: He said he fought the beast. It took his sister. MICHAEL: Are we never to be free of this? Men to arms. SOUNDS FADE ANNETTE: (V.O.) For two more years the beast terrorised the region. Over a hundred people fell, mostly children. Father Pierre prayed continuously, Jean, my brave Jean, hunted every day scouring the mountains in search of the beast. Many people came to believe that it was, as the priest said, a judgment from God. Two more hunters came from the King but both departed without success. One was chased from the village by the men but no reprisals came. The King seemed to be treating it as a game but, for us, there was no fun. I stayed at home with my children, hoping, and yes praying, that they would grow up to know of the serenity we had once enjoyed. Then one day Jean came across the beast…. SCENE FOREST GROWLING AND SNARLING. CHASTEL’S BREATH, APPREHENSIVE AND CAUTIOUS ANNETTE: (V.O.) He had never been so scared but he managed to stab it with his pitchfork. GRUNTING AS JEAN RUNS FORWARD. THE WOLF SNARLS IN PAIN. SOUNDS OF A FIGHT ANNETTE: (V.O.) He sustained terrible injuries but slew the beast. CHASTEL’S HEAVY BREATHING ESCALATES THEN HE SCREAMS IN TRIUMPH. AFTER A WHILE HE STARTS CUTTING THE DEAD WOLF OPEN ANNETTE: (V.O.) Inside the beast they found the scarf worn by one of the victims. CHASTEL: (V.O.) It was an ordinary wolf. Large but no different to the others that take our animals but never attack us. ANNETTE: (V.O.) Nobody knows why it turned on people or left the sheep behind. CHASTEL: (V.O.) Legends were formed because of its ingenuity in evading the hunters. ANNETTE: (V.O.) And in Paris the skin of another wolf lies in a museum, announcing to the world the skills of Antoine. SCENE OUTSIDE CHURCH A LARGE CONGREGATION CHEERING AND TALKING HAPPILY FATHER PIERRE: We thank God that the curse has ended. CHASTEL: What of my curse father? FATHER PIERRE: Your family has been redeemed. CHASTEL: A benevolent God indeed. 35 Crown Lofts Walsall WS2 9LB -51-Return to SimplyScripts.com