SCAVENGE (5-page short horror screenplay) by Steve Miles

A backpacker stumbles upon an abandoned campsite only to discover he’s not alone when it comes to an appetite for scavenging.

All right, filmmakers, if you’re looking for something super-low budget to shoot while keeping social distancing in mind – and I know a lot of you are – look no further than “Scavenge” by writer, Steve Miles.

The story opens as a lonely backpacker (never a good thing to be in a horror movie) named Lars happens upon an abandoned beach – the perfect spot to post up for a few days. After setting up shop, he decides to explore the area a little bit while scavenging pretty much everything he can get his hands on – candy wrappers, bottle caps, beer cans, etc.

Lars hits the jackpot when he stumbles upon an abandoned campsite, camping gear and loads of trash (or treasure if you’re Lars) scattered around the remains of a campfire.

But where is everybody? And what happened to them? Not too concerned with any of those questions, Lars peruses the abandoned items like a kid in a candy shop, taking with him a cooking pot and nice camping chair. He even finds an unopened can of beer! Score!

However, Lars spots something else – fabric poking out from under the ground. As he pulls on the fabric, he discovers that it’s a tent buried under the sand. Oh, well, nothing Lars can take with him.

It isn’t until later that night when Lars realizes that something about this abandoned beach is very, very off…

I know this sounds like the set-up to a typical slasher film, but the way this story plays out may surprise you. I know I wasn’t expecting it. In fact, this may be the antithesis to the typical slasher film. For one, there’s no dialogue. Also, there’s no cheap jump scares. Everything is carried by raw tension, specifically a terrifying, visually arresting (yet simple) scene when Lars is in his tent and realizes that he’s not alone.

If you were afraid of camping before, this story definitely won’t help you get over any fears. Quiet, tense and visually horrifying, “Scavenge” is a perfect horror short to film during social distancing. But I wouldn’t recommend watching it alone.

BUDGET: Shoe-string. All takes place outdoors at an abandoned beach with two actors (one main actor).

ABOUT THE WRITER: Steve Miles enjoys writing in a variety of genres but leans toward raw, grittier characters and the worlds they inhabit – from the deadly serious to the darkly comic. Fortunate to have a number of shorts produced (some of which can be seen at Steve Miles’ Short Scripts alongside a range of scripts) with short films Forever Red and A Cool Green Place soon to be released, and The Cold Season which you can watch on Amazon Prime. Steve can be contacted via his website.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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Over on the Original Scripts page are eighteen original scripts for your reading pleasure.

And, 21 years ago today SimplyScripts came to life.

– Don

Over on the Original Scripts page are seventeen original scripts for your reading pleasure.

Also, check out the newly renovated Movie Scripts page.

– Don

BEE-EL (8-page short horror screenplay) by CJ Vecchio

A young girl befriends something that’s inside her closet.

Monsters come in all shapes, sizes, forms. As children, we learn that these monsters or boogie men, as we like to call them, prefer to dwell in the darkness – usually under our beds or in our closets. Of course, once we’re old enough, we learn our imaginations were just running wild and there were never any monsters hiding in our closets. But we’ve seen the premise used in numerous horror films, television shows and books. The premise itself might as well be its own horror sub-genre.

What makes CJ Vecchio’s dark, twisted tale so different from the other tales we’ve seen or read about is that it makes us question who the monster really is.

The story begins innocently enough as Sabrina, a cute, innocent nine-year-old picks wild daisies for her mother. They seem to have a great relationship. But her mother notices her playing with a new doll – a doll that she didn’t buy her.

Her mother thinks nothing of it. After all, most children have had an imaginary friend at one point or another. But what she DOESN’T know is that Bee-El is very real. And he lives inside the walls, once in a while keeping an eye on things from the closets.

Bee-El talks to Sabrina as if he were a child himself, though never revealing what he looks like. He brings Sabrina gifts – toys, chocolate and other trinkets. He’s very protective of her and seems to genuinely care about her, always willing to lend an ear and hear about her day.

Bee-El would do anything for Sabrina… ANYTHING. And that’s when we discover that Sabrina isn’t so innocent after all as she tells Bee-El about some bullies from school.

Things take a very, very dark turn. And as Bee-El continues to do Sabrina’s evil bidding, we find out who the real monster truly is.

Dark, clever and very simple to film, this would make for some great midnight viewing.

BUDGET: Low. One location (a house) and three actors.

CONCEPT TEASER:

ABOUT THE WRITER: CJ Vecchio braves the cold, windy winters in Chicago, along with his sidekick, a lovable pit bull named Izzy. Recently, due to COVID, CJ’s business (along with many others) was shut down. With a lot of time on his hands, he started to pursue his lifelong passion of writing Horror and Sci-Fi shorts. He plans on entering his latest short “Bee-EL” into The Killer Shorts contest and others. CJ is also working on featured full-length versions of his stories. CJ can be reached at his website is www.CjVecchio.com.

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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Over on the Unproduced scripts page are fifteen original scripts for your reading pleasure.

And a few site updates!

We’ve updated the Treatments and Series Bibles page.

We’ve created a new page of Unproduced treatments and series bibles.

And there has been a massive overhaul of the Produced scripts page and full listing of produced movie scripts (Now with fewer broken links!)

WINDOW CREEP – by Rob Herzog
short, horror script

A nine-year old boy tries to outwit the visitor who scratches at his window screen in the middle of the night.

Are you afraid of the dark?

Since time immemorial most of us have felt that most primitive of fears – being afraid of things that we cannot see and of things that go bump in the night.

Remember being a kid? Most of us can recall waking in the middle of the night listening out for another creak of the floorboards, or startled by the groan of a wardrobe-door yawing open of its own accord. Covers pulled up and over our heads we would lie in wait, dreading the moment when something might pounce from the closet, or jump out from underneath the bed… Terrified that there was something evil lurking under the cover of darkness.

In Rob Herzog’s chilling horror, Window Creep, we meet Eddie, a plucky nine-year old kid who we sense is somewhat used to fending for himself. Amidst the backdrop of an ordinary pre-teen bedroom – posters of superheroes and monsters adorning the walls – Eddie’s enjoying his usual bedtime ritual. He’s up late, playing with his toy soldiers. The lights are out and the gleam of Eddie’s flashlight bounces off the walls, when all of a sudden –

At this point Eddie’s going to do what every petrified kid will do under the circumstances, and that is scream and call out for his Mom.

But it’s also at this point that writer, Rob Herzog cleverly ramps up the tension and suspense even more than before, because…

Mama’s not answering. In the bedroom down the hall it appears she’s out cold which means Eddie is now all alone and at the mercy of whatever this Creep is and whatever it wants.

So, what does Eddie do next? Well, there’s one trick in Eddie’s arsenal and it’s the same ploy he uses with his toy soldiers when they’re not behaving. He attempts to hypnotize it in the hope that –

But… toys are just toys and Eddie’s about to learn that whatever this Creep is, it’s very real, it’s very evil, and it won’t be fooled by childish games.

And then…

Well, I can’t spoil the fun and the scares can I?

Suffice to say you will not guess the sting in the tail of this cleverly written part monster, part parable tale following in the tradition of such horror gems as Lights Out, Bedfellows, The Babadook, and Don’t Breathe.

Rob Herzog’s Window Creep might well be the stuff of nightmares, but for you filmmakers out there it could be the perfect calling-card for your dreams.

But don’t go hiding under the bed. Better burst out and into the light. The only thing scarier than not getting your claws into this one would be missing out on it altogether. And you really don’t want that… lest the lost opportunity haunt you for the rest of your life.

BUDGET: Low. Self-contained one location, one plucky kid, one Mom, one Creep’s hand with some light SFX.

ABOUT THE WRITER: Rob Herzog is a Chicago screenwriter. He has sold two short scripts and won prize money in two small screenwriting contests. His short horror script Creak and Shriek was produced in 2019 by Mad Dreamer Entertainment and can be viewed on various platforms like Amazon Prime, YouTube and Vimeo. He has a master’s degree in English composition from Northeastern Illinois University. Rob can be reached at: robherzogr (a) hotmail.

About the Reviewer: L.Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia. L. Chambers can be reached at: libbych (a) hotmail.

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Round 5 Writers have been revealed. Congratulations to Marnie and her winning script The Cost of War

Congratulations to Paul (PKCardnial) Knauer who was the overall winner of the Tournament.

Several scripts have already been option or sold as these are generally limited location/limited cast scripts and easy to film. So, now is the time to reach out to these folks to secure rights to film them.

Round 1: Money is the root of all evil
Round 2: Blood is Thicker than Water
Round 3: Nature vs Nurture
Round 4: Your Hero Is the Villain
Round 5: Winning At Any Cost

Several of the winning scripts have been reviewed by Michael Kospiah (with more to come)

• Snake My Drain
• Ice by Paul Knauer
• Finding The Brother by Bill Sarre
• First Generation by Mark Renshaw
• Lines by Paul Knauer
• Let ‘er Rip by John Staats
• From Vilna with Love by Warren Duncan

Unsatisfied with her marriage, a down-on-her-luck housewife begins fantasizing about a handsome plumber. But as fantasy blurs with reality more and more, her obsession with him becomes very dangerous.

WEEK FOUR of Simply Scripts’ annual Writer’s Tournament resulted in a three-way tie. One of those top entries was a dark fantasy short written by the supremely-talented Marnie Mitchell called, SNAKE MY DRAIN, its title drenched in sexual innuendo. And for good reason…

The theme for Week Four was, YOUR HERO IS THE VILLAIN – a theme that was sure to conjure up some pretty dark entries. Marnie’s three criteria items were; a PLUNGER, a PLUMBER and a HOME IMPROVEMENT STORE.

Our story’s hero/anti-hero is Lorraine, a down-on-her-luck housewife who’s very unsatisfied with her marriage. We open on her desperately trying to unclog the garbage disposal in her sink. Along with the faucets not working and an overflowed toilet, this was the last thing she needed. And it’s all thanks to her poor excuse of a husband.

After breaking the plunger handle while trying to unclog the garbage disposal, she takes a trip to the local home improvement shop to pick up a replacement. And that’s when she meets Rick – fit, tone and handsome as can be, Lorraine swoons over him. This guy is a dreamboat.

Desperate to get Rick’s attention, Lorraine asks for some assistance, soon learning that he’s a plumber. Jumping on the opportunity to get him alone, she asks him to come over and tend to some of her “plumbing” *wink-wink*. What ensues next while at the store felt like a musical number out of a David Lynch film like Blue Velvet or Wild at Heart – Rick breaks out into song, serenading Lorraine seductively as the lights dim and a spotlight shines on him. Soon, in what felt like the “Just Dropped in To See What Condition My Condition Was In” scene from Big Lebowski (song performed by Kenny Rogers, RIP), a chorus line of back-up singers (Rick doppelgangers) break out into a choreographed dance routine.

Of course, we find out that all of this is taking place inside of Lorraine’s head, though it seems very, very real to her at first… almost DISTURBINGLY real.

When Rick arrives the next day to fix her plumbing, Lorraine continues to have odd sexual fantasies running through her mind. But as the fantasies continue, we notice that they’re beginning to blur into Lorraine’s reality, making her behavior seem a bit odd and off-putting, ultimately leading to Lorraine embarrassing herself in front of the younger stud.

And it’s at that point when the proverbial excrement hits the fan in a pretty shocking reveal that I won’t spoil for you in this review. But I will say that Lorraine’s husband is, indeed, responsible for the clogged garbage disposal in the sink (hint-hint).

Dark and twisted, yet gleefully entertaining, especially the fantasy sequences, SNAKE MY DRAIN is guaranteed to be a hit at film festivals with the right filmmaker at the helm. It reminded me of BLUE VELVET, BUFFALO 66, PSYCHO and BIG LEBOWSKI all rolled into one. Highly recommended to any filmmaker with a panache for the surreal.

BUDGET: Pretty sensible actually – Outside of the fantasy sequence at the hardware store (which would require some pretty simple visual effects), it’s only two simple locations and two actors.

ABOUT THE WRITER: Marnie Mitchell is an award-winning screenwriter and 5-page contest junkie. Due to her addiction, she’s written over 80 shorts, 15 having been produced. Currently she’s working on her 8th feature, an adaptation of a horror short she wrote 10 years ago. Some of her work can be found on her site, BrainFluffs.com. Some of her photography can be seen here: marnzart.wordpress.com. Marnie can be contacted via her website.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

FROM VILNA WITH LOVE (5-page short historical screenplay) by Warren Duncan

Twenty-four years after the death of their parents in war-torn Germany, a brother and sister seek revenge on the man responsible.

The second-place entry of Week Three’s Writers’ Tournament was the emotionally gut-wrenching and thought-provoking revenge tale, From Vilna With Love, its title somewhat of a play on the James Bond film/novel From Russia With Love. Though the tone of each story couldn’t be any more different. This is a revenge tale.

Before I get into the actual review, let’s go over the three items the writer was assigned to include in this tale; a DIE-CAST TOY CAR, a PAINTER and a PLACE OF WORSHIP. All of which are so naturally weaved into the story, I almost forgot that there were three items that needed to be included. Though one of the items has great symbolic importance to the story’s theme.

We’re taken back in time to 1963, post-World War II Germany, where brother and sister, Tomasz and Lena drive through snow-covered landscapes in the middle of the night, eventually arriving at an isolated cottage deep into the forest. Why they’re here, we don’t know yet.

That’s when we flashback to 1939 – Tomasz and Lena, small children, play while their parents, Piotr and Nadia (both painters) sell their work at a local market in Vilna, Poland. A loving family, Tomasz in particular seems to be obsessed with his favorite toy, a miniature, red toy car. So much so that he even plays with it during dinner, to his father’s chagrin.

But, during what seems like a peaceful dinner with family, the impact of bombs in the distance throttle the small home.

In a later flashback, we’re taken to a church where the family, along with several other frightened Vilna residents, hide from Russian soldiers, who eventually make their way in. It’s there where Tomasz and Lena witness the execution of their father at the hands of soldier, Viktor Ivanov, a memory forever etched into the siblings’ memories, especially Tomasz, who tries to come to his father’s aid, dropping something on the ground.

Back to present time at the isolated cottage, we find out that this is Viktor’s home. And it’s made abundantly clear why Tomasz and Lena are there when Tomasz knocks on the front door with a gun.

You’ll have to read for yourself to find out how this tale of revenge ends. But I will say that the ending might surprise you. I personally pictured this being filmed in black and white with the toy car being the only color we see in the story. Much like Steven Spielberg’s masterpiece, Schindler’s List, the red car’s purpose in this story (more specifically the color red) is so vital to the theme. But, in this story in particular, it’s especially vital to the theme of nature vs nurture – a child’s innocence taken away from them at the hands of a cruel, war-torn environment.

One of the more engaging shorts I’ve read in quite a while, this is a story meant to be seen on screen.

BUDGET: Medium. Historical/time period pieces have the reputation of carrying bigger budgets, but with clever planning and fairly simple locations, this can be filmed on a sensible budget. Regardless, the story is worth every penny.

ABOUT THE WRITER: Warren Duncan writes screenplays and comics in his spare time and has been lucky enough to have several shorts produced and the first issue of his comic book series published. Warren can be reached at: warren_duncan (a) hotmail.com

FROM VILNA WITH LOVE (5-page short historical screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.