Pieces of Me (8 pages in pdf format) by Jean-Pierre Chapoteau

A young man wanders through a post apocalyptic world – in search of his own humanity

Post apocalyptic stories are often called “a dime a dozen”. It’s a genre that pulls on the collective imaginations of society, and begs us to think about a future completely askew and chaotic compared to our cushy present. It’s easy to hear post-apocalypse and think of MAD MAX, The Walking Dead, or TheBook of Eli. Worlds of never-ending ammunition and fuel, where the characters never seem to lose a single pound and always come out on top.

Then you have stories like Pieces of Me, by Jean-Pierre Chapoteau. A hard, truthful look into the bleak future through the cold, hungry eyes of a fourteen year old boy named Kaleb.

Not since Cormac McCarthy’s “The Road” have I read a story so gray and saddening that I came to the final page with my own sense of despair. Pieces of Me is one of those tales that doesn’t leave you thinking, “How cool would it be if that really happened,” but instead makes you ponder, “Have I made the most of my life in case this happens”.

The bitter aftertaste, one of possible premonition, where you’ll mourn the world we live in even though it still exists. You’ll find yourself looking at your children and wondering if they could survive on their own if they had to. You’ll look back on every moment that you’ve put off spending time with loved ones, or engaging in a hobby, and ask yourself what was so important that life got in the way of life. A lot of readers call scripts like Pieces of Me “depressing,” but the only depressing note is whatever the reader brings to the table once they allow this story to take them in. While never once does the main character make reference to the old world, living in his world for only a few pages, we somehow feel like we’re being forced to suffer as he suffers, fight as he fights, and mourn as he mourns. Emotional storytelling at its best.

This script is one of those that needs the right director’s touch. Not for the timid, and hardly for the novice. Kaleb, the world he lives in, and the world that no longer exists deserves this film to be a Festival winner. This story was meant for more than the labyrinth of videos on Vimeo and YouTube.

In closing, let me just say – when you’re done reading and that moment of solemn remorse overcomes you, in your reflection of all of the things you’d regret in Kaleb’s world, would not making this film be one of them?

About the writer: Jean-Pierre Chapoteau started writing feature length scripts in 2005 then focused on shorts in 2009. Since then he’s had three scripts produced and two more optioned. He has won several awards for his shorts and has been a moderator at the site MoviePoet.  Jean-Pierre was a finalist in the RAW TALENT Competition for his faith based feature length script: ‘Far From Perfect.’ And was also a semi-finalist in the SLAMDANCE teleplay competition and a finalist in the OBSWRITER teleplay contest for his adapted teleplay, Curb Your Enthusiasm: The Guardian.  You can contact Jean-Pierre Chapoteau at:  jeanpierre425 (a) gmail.com

Budget: Not for the novice… but not unreasonable, either. All the settings are outdoors, and very little is needed in the way of props. But a script like this should be done with a budget – and with style.

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About the reviewer: Rod Thompson is an award winning screenwriter of both features and shorts. His feature, The Squire won Best Drama for the 2014 Table Read My Screenplay contest, and he has placed numerous times for his shorts at MoviePoet.com. His short scripts Gimme Shelter and A Memory in Winter have both been optioned. He is also “the most humble man alive.” Contact Rod at RodThompson1980 (a) gmail.com.

The Nu You (11 pages in pdf format) by John Hunter

How far would you go to be beautiful?

Cindy’s world is full of beautiful people. They flash beautiful smiles and wear beautiful clothes while driving beautiful cars. Cindy, with her unibrow, rudder nose, and wonky boob, is sure of one thing: she does not belong. But could she? If she’s willing to pay the price…?

The Nu You clinic offers Cindy the chance of a lifetime. They can grant Cindy’s cosmetic wish list with a complete assortment of corrective surgery. And the best part is that she can sleep through the entire recovery process, and awake from her ‘beauty nap’ reinvented as her best self.

But just how much will all this cost, and is beauty the only thing that Nu You is selling? Behind an unassuming office door lies a sinister secret. One that’s waiting for Cindy’s appointment day…

Think the cerebral parts of The Island (though trust me, this ain’t no Michael Bay pic!) with a hint of Gattaca, and a smart, snappy, satirical slant.

Our world today is chock-full of rake-thin models, celebrity worship, and harmful body-image trends. As a scathing critique of our modern celebrity obsession culture, it is destined to be a contemporary festival darling. Perfect for a director with an understanding and affiance for dark humor with social commentary.

So come in, have a seat. The Nu You awaits. Are you – and Cindy – ready to take that step?

Budget: Low. One main office setting with a brief outdoor montage sequence. A couple of inserts may require limited photoshop.

About the writer, John Hunter: With the completion of (4) features, a litter of riveting shorts, a one hour take-your-breath-away sci-fi TV pilot and first 30 minute episode for that series, I am now officially THAT guy — The one who really needs an Agent or Executive Producer. Contact me at x32792 (AT) yahoo.com

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About the Reviewer: Dane is an attorney based in Hamburg, Germany. He has over 10 years experience with film and film theory and once got to kick-in a door for the German equivalent of CSI. He is currently working on a full-length screenplay that he describes as “a music bio-flick with a kick”.

This Long Vigil (27 pages in pdf format) by Rhett Bruno

The lone spaceman aboard an interstellar Ark and his only companion, the ship-wide artificial intelligence, count the hours until his impending and unending hibernation.

Does every Sci-Fi story need to have over the top heroes saving the universe, or aliens running amok across a war-torn Earth? We don’t think so.

And neither will you after reading This Long Vigil.

The year is 2334. The Earth? It’s long gone.

And for Orion, life aboard the Hermes – a massive transport vessel containing thousands of fellow humans in suspended animation – is downright drab.

As the ship’s monitor, and the only fully conscious human, Orion is tasked with keeping an eye on the ship’s inhabitants: keeping up with a myriad of maintenance routines.

His only company is the Hermes’ super computer, DAN, who (like 2001’s HAL) is wired throughout the vessel. Dan keeps Orion occupied with conversation – and the occasional witty riddle to keep his mind sharp… even on the boring days.

The Hermes zips through space in search of a new planet to call home – but a storm is brewing inside.

Orion is about to turn fifty. Back on Earth, that would be cause for celebration, but not here. And not now. According to Dan, Orion must choose his replacement soon – and join the rest of the occupants in eternal “sleep.”

Facing that reality, Orion decides existence on life support is not for him.

            ORION
I believe that people should be
born in fluid, not die in it.

And so a plan is set into motion. With the light of a distant sun shining through his portal, Orion overrides Dan and grabs a space suit. With only fifteen minutes of oxygen left, what could faithful Orion be up to?

Perhaps we’ll find the answer to that in a riddle.

Written in a prose-like fashion, Rhett Bruno’s This Long Vigil contains the best elements of sci-fi and drama, complete with a satisfying finish that is bound to make some noise at Festivals…

Unlike the eternal silence of Space.

Budget: Mid-range. Granted, this one will need some FX. Though judicious editing may make that easier than you think!

About the Nebula nominated writer, Rhett Bruno: Rhett Bruno has been writing since before he can remember, scribbling down what he thought were epic stories when he was young to show to his friends and family. He currently works at an architecture firm, but that hasn’t stopped him from recording the tales bouncing around inside of his head. Rhett is the author of The Circuit Series and Titanborn and the novella This Long Vigil upon which his screenplay is based. He can be reached at rcbruno44(a)outlook.com or you can visit his information chocked website at RhettBruno.com, or Twitter @rcbruno44.  

Read This Long Vigil (27 page screenplay in PDF format).

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About the Reviewer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail. Check out his website BadRepScript.weebly.com and his other screenplays.

The Survivor (16 pages in pdf format) by Mark Renshaw

A teenager embarks on a perilous trek for supplies in a dangerous world where society has collapsed and the air is toxic. With only his toy robot as a companion, he faces lost souls, crazed zealots, and corrupt law enforcement officers. But the real danger is waiting for him at home.

Mark has had a lot of success with The Survivor: A tale from the Nearscape. It was released as a short film and now it has been made into a short comic. The Survivor was written by Thomas Tuna from the script by Mark Renshaw and illustrated by Armandroy Canlas. Please also listen to “The Suvivor Sketches” by Zaalen Tallis. Talk about this script, comic and movie on the discussion board

(click the image to take you to the full version)

Read the rest at HyperEpics.com/Survivor

About the Writer: 2018 Page Awards semi-finalist Mark Renshaw can be reached through his website at Mark-Renshaw.com. An award-winning writer and producer, his last project earned ‘Best Sci-Fi’ at the Top Shorts and Festigious film festivals.

About Hyper Epics: Home of the 3 page sagas, Hyper Epics is a bold anthology series that offers diverse and exciting comic book stories on its website – www.hyperepics.com – and in print form. Each original story is packed with stunning artwork, memorable characters, and captivating stories enhanced with dazzling soundtracks. It is quickly becoming a go-to destination for readers worldwide.

Fault by Steven Clark

Technology can solve most ills – except when social conditioning plays a part….

Over the past few decades, treatment of mental health has improved leaps and bounds. Today, we’re revolted at how the mentally unwell were whisked away to asylums and had experiments forced on them – like cogs in the pharmaceutical machine.

Of course, problems still exist today. Especially when it comes to children; many of whom suffer from agonizing emotional distress – yet are far too scared to face the truth.

Steven Clark’s Fault tackles this tricky topic with respect. On page 1, we’re introduced to a seemingly typical teenage situation: young Mary Kate is holed up in her room – doing nothing, saying nothing, and refusing everything offered by her father, David. It’s a common condition – for any age.

But what isn’t common is the “cure”. After having her brain scanned thoroughly, Mary Kate’s doctor installs a small chip in her arm. The teen seems deeply nervous, but her mother Abby’s desperate to have the procedure done.

After the implant’s complete, the doctor pulls Abby aside for a word of warning. The chip treatment can sometimes be – let’s say – “too perfect” for its own good. But Abby’s mother is convinced. If anything will save her Mary Kate, this technology is the way.

And technology doesn’t make mistakes – right?

Will the treatment worked as intended? Or will there be a tragic glitch – sending an already troubled family down a darker path? With these answers come profound insights: regarding how society views troubled children. Not to mention, how they view themselves.

A short script that discusses big, unsettling ideas head on, Fault will shine bright with the right actors. Pair candid, raw performances with a skilled director – and the result will be troubling. But faultless, nonetheless.

Budget: Relatively low. One doctor’s office, one house – that’s it.

About the writer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail. Check out his website BadRepScript.weebly.com and his other screenplays.

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About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Noob by James Barron

An alien-made artificial intelligence faces its greatest challenge: teaching a cantankerous, technology-averse 80-year old human how to work an iPhone.

Old people vs technology: it’s a perennial battle of the ages. And as technology gets more and more advanced, it ain’t gonna get easier any time soon!

Which doesn’t mean one can’t have multiple laughs at its expense…

That’s exactly what James Barron’s satirical Noob aims to do. Lead character Henry’s a grizzled war vet – the kind of guy who thinks physical prowess proves a man’s worth. So when his daughter buys him an iPhone, he struggles to understand the basics – and we mean really “basic”… like turning it on.

Frustrated by failure, the old man’s grief is multiplied when his wife suggests getting help from experts. But Henry’s determined to lone wolf this operation. At first, that doesn’t seem like such a bad idea – Henry calls the correct number for his queries. But then he accidentally changes the language to Spanish. Qué desastre!

Already confused, Henry’s utterly baffled when the weather suddenly changes and a large metallic craft appears. He’s being abducted! So it seems.

As it turns out, his abductor is a computer sent by a technologically advanced species to observe human behaviour for academic reasons – and poses no danger to Henry’s health.

But Henry poses a great threat to the computer…

…because he thinks it’s the Apple support system! And while he didn’t know how to work an iPhone, he certainly doesn’t understand the requests the AI makes – leading to a massive series of escalating communication breakdowns.

Threatening the poor bot’s circuit-sanity.

Hilariously ironic with a brilliant payoff, Noob is a clever commentary of the universal love-hate relationship we have with technology. It’s guaranteed to have everyone laughing – with or without the Genius Bar!

Budget: Okay, there’s a bit of FX called for here. But nothing a touch of post or CGI can’t handle.

About the writer: James Barron is a former law student turned screenwriter who loves to write comedy along with the occasional horror/thriller.

Read Noob (11 pages in PDF format)

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Quality Control by Ammar Salmi…

…has been produced by Tin Mirror Productions.

A clone has to prove to an observer that he deserves a second chance in order to avoid incineration.

Trailer

Official Site
Imdb

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Science Fiction – it’s such a complicated bag, full of staggering subcategories. Fantasy swordplay ala Star Wars. Swash-buckling action via Guardians of the Galaxy.

But the analysis of social conflicts – that’s what makes SF special. Ask any hardcore Science Fiction fan – the true beauty of the genre is the ability to examine hard-hitting social issues – spotlit by futuristic light. Along with the pleasures of Star Trek, are true classics such as these:

Soylent Green -a police detective discovers the government’s secret ingredient, designed to feed a world ravaged by the greenhouse effect, and overpopulation.

Planet of the Apes – an astronaut crash lands on a mysterious planet dominated by primates – the theory of evolution turned upside down.

Minority Report – Tom Cruise solves homicides via a special police unit – who negate the concept of free will, and arrest murderers before they commit crimes.

Then there’s screenwriter Ammar Salmi’s Quality Control – depicting a futuristic society where clones are routinely grown – almost like slaves. At least, if they’re allowed to live…

Witness if you will, Clone 36. A “man” who’s been accused of a crime. Confined to a cell, and deemed chattel, our protagonist’s future dangles in the hands of Dave – a faceless pencil-pusher who would rather terminate the offending Clone… just to save himself needless paperwork.

As the script opens, the three hour observation breezes by. Will Clone 36 convince Dave of his innocence? Or suffer an animal’s brutal fate?

Heavy on the drama, but feather light on FX, Quality Control is limited location – and a sterling choice for directors with an intelligent bent. Like the best of breed in SF, QC is a thought provoking treatise about the dangers of the legal system. And the potential violation of human rights.

Budget:Low. One special effect done in post: overlays of charts and data on screen.

About the Author: Born and raised in Bir El Ater, Algeria, Ammar Salmi majored in computer science at USTHB university. He found interest in screenwriting when he was 19 – falling in love with it only two years after reading “The usual suspect” script. Ever since, he’s been learning, reading, and writing (his words). Though not produced yet, Ammar’s gearing up for his first feature, and can’t wait to see what the writing future has in store!  Interested in QC? Reach out to Ammar via realxwriter (a) gmail. 

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About the Reviewer: David M Troop resumed writing in 2011 after a twenty-five year hiatus.  Since then, he has written about 50 short scripts, two of which have been produced.   Dave would like to make it three.  He is a regular, award-winning contributor to MoviePoet.com.  Born on the mean streets of Reading, PA, Dave now resides in Schuylkill Haven with his wife Jodi and their two lazy dogs Max and Mattie.

Love Glow (5 pages in pdf format) Marnie Mitchell Lister

Weird things can happen when love is involved.

Love is a powerful motivator – whether it pertains to friends, family or significant others. What people will not do for loved ones is a short list; and it has the possibility of becoming even shorter, when that bond is tested ‘til it breaks.

In Marnie Mitchell Lister’s short script Love Glow, Rick Turner is your typical easy going twenty-something guy who is focused on one typical thing: his dream girl. As far as he’s concerned, Laura’s the best of the best – and deserves nothing but the best in return. Expensive mansions, luxury cars, unlimited shopping sprees – the sky’s the limit, he thinks.

There’s just one problem…Rick is broke. Painfully so. There isn’t even a glimmer of available funds in his bank account, and Rick can feel his dream life fizzling out before it becomes reality.

So Rick does what any “sane” person would do: he checks himself into an experimental medical trial for a few weeks, one that promises to fund his new life. Success! Or so it seems.

Weeks later, Ricks completes the trial, collects his check, and enlists the help of best friend Matt to give him a ride back home. But there’s one thing he’s neglected – side effects.

Despite giving Matt a “glowing” review of his experience, Rick quickly finds his body going wrong. Coughing fits. Luminescent sweating spells. And that’s when Rick’s ears start to melt.

Will Rick turn into a radioactive pile of goo? Will his dream girl find his ever worsening body desirable? And will Matt ever be able to clean his car?

Love Glow isn’t your typical love story. Instead, it’s a hybrid of the best kind – balancing light humor with the universal theme of love, and a bit of over-the-top sci-fi flare. If you like your SF mixed with comedy, snag this one before it melts away!

Budget: Mid-range. Yes, there’s a bit of FX involved. But it’s worth it for the festival raves (and laughs)!

About the writer: Marnie Mitchell Lister is an award winning writer AND photographer, her website is available at BrainFluffs.com. Marnie’s had multiple shorts produced and placed Semi-final with her features in BlueCat.

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About the reviewer: Karis Watie is a writer from Texas who got accidentally transplanted in New England. She is coping by eating dangerous amounts of doughnuts and closely studying television shows that she hopes to one day emulate as a screenwriter. She is pursuing a second bachelor’s degree while not on the couch, to help her dream along. If you want to talk television or drop Karis a spoiler or two, she’s at watiekaris at yahoo & @kn_watie on Twitter.

The Changer by David Troop

Two bickering police detectives must find a way to capture the world’s most elusive criminal.

Some stories are tons of fun. Isn’t that what we go to movies for?

Angst, terror and philosophical symbolism isn’t needed for every film we see. Sometimes simple is the best. “Entertainment for the sake of entertainment” is a spectacular experience when done right. Especially when the jokes are primed to fly.

In his latest short The Changer, master storyteller David Troop makes a fun story live and breathe; resulting in chuckles galore!

Yet, for cops Kennedy and Harris, the events of The Changer are pure business. As often happens with film law enforcement types, these partners are different as two guys could be:

Kennedy’s a Caucasian veteran cop in his 40s – lacking any form of fashion sense. Of course, film-logic requires him paired with African-American Officer Harris. Ten years Kennedy’s junior, Harris is a “poster boy for Reebok.” Together, the two are on the job, seeking a mysterious master-of-disguise known simply as, “The Changer.

Tense and bickering from Page One, the couple track “the dude” to urban apartment 4D. With police badges on display, they bust down the door – only to find screaming hooker Petunia inside. Encouraged by the officer’s raised guns, Petunia points to the bathroom. Harris searches the area quickly, yet finds only – a cat inside.

Harris shrugs, turns his back. Allowing the Bizarre “Changer” to make his escape. Out the open bathroom window – down a rusty fire escape. Pretty soon, the chase is on (ala the Grand Budapest Hotel!).

In hot pursuit of a “tall figure in a trench coat”, the partners race through alleys, down gritty streets. Eventually, Harris corners the perp. (Kennedy joins the chase somewhat late… having stopped to “question” the hooker privately!). But soon, Kennedy and Harris have their man…

Still – given The Changer’s “special set of skills”, the question is… Do they have him cornered?

Really?

Tongue planted firmly in cheek, The Changer is a fun – and very funny – ride.

Think movies like Ghostbusters, Back to the Future, Police Academy, Naked Gun or Groundhog Day. If you’re a director who loves goofy comedy, then TC is your blockbuster. Set your humor on stun. And pull the cinematic wool over your audience’s tears-of-laughter-filled eyes!

Budget: Relatively low. Three talented male character actors (with good comedic timing) are required for the main roles. Plus a handful of extras. Settings include: Apartment interior rooms, stairway, streets, and an alley – all of which are easy to stage.

About the Writer: David M Troop has been writing since he could hold a No.2 pencil. In 2011 he began writing short films for MoviePoet.com and Simplyscripts.com. His produced short scripts include INSOMNIAC and THE DINER. Born on the mean streets of Reading, PA, Dave now resides in Schuylkill Haven with his wife Jodi and their two lazy dogs Max and Mattie. He can be reached at dtroop506 (a) gmail.

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About the Reviewer: California über reader/reviewer KP Mackie is working on a historical feature.