MONUMENTAL FAVOUR
With time running out, a frantic businessman relies on a cab driver to reach the airport before his flight takes off.

A trip to the airport is always good grist for the story mill. Everything must be organized to military precision, from waking up to your alarm on time to organizing forgotten – or God forbid, lost passports – to making sure your baggage won’t tip the scales, to ticket confirmation and check-in. The crucial and all-important thing above all else however, is – getting to the airport on time. One false move, one hiccup or delay in proceedings could leave you stranded on the tarmac with nowhere to go and a hole burning in your pocket.

Colin Sharp’s, Monumental Favour opens on veteran taxi driver, Samir, waiting patiently for his delayed fare, Jim Denton, a Boston businessman desperate to make his interstate flight on time.

We get the feeling things usually run smoothly for Jim, but this morning is a whole different story. What is it with printers jamming just when you need them to spit out that all important document? – In this case Jim’s itinerary and ticket details.

After bundling his bags into the boot Jim relays his sorry start to the day to Samir and they finally set off – the problem is that printer malfunction has added a crucial fifteen minutes to the journey and Jim’s justifiably freaking out.

JIM
I’ve got a very important meeting.
A very important opportunity…

Sounds like it could be the opportunity of a lifetime…

Samir, ever the consummate driver offers Jim just the right amount of soothing consolation and vows that he will do everything in his power to get Jim to the airport on time.

The taxi weaves through steady traffic, that is until they hit the inevitable roadblock of early-morning commuters and one very pesky revolving red light.

In an effort to calm his passenger Samir regales Jim with a story about how he and his wife visited a tarot card reader over the weekend –

Jim’s expression tightens, signaling he’s not in the mood for the story – his focus fixed on the traffic ahead.

Samir admits he finds it all a bit fake too, but he continues with the tale regardless.

SAMIR
… Interestingly, this Tarot reader declared I would
do somebody a monumental favour in the coming week.

Jim suddenly sits up and takes notice.

 JIM
Get me to the airport in fifteen minutes and my God,
you’ll be doing me a monumental favour.

Famous last words unfortunately because things are about to go from bad to worse. As they barrel through the next amber light the car’s mechanical warning indicator comes on – monumental failure seems to be the more operative phrase at this point. The car’s gearbox has given up the ghost leaving Samir and Jim stranded. With a backup ride twenty minutes away, it doesn’t look like Jim will be going anywhere other than back home again.

Seems like even with the best laid plans, fate has intervened.

And that’s that.

End of story.

Except this isn’t the end of the story.

And we’re about to find out this is no ordinary day.

Colin Sharp has created a very clever narrative with Monumental Favour. At first it might appear that there’s not a lot happening in this slice of life story, dare I say some readers might find it a little pedestrian, but buckle your seatbelts and settle in for the ride, cause you’re about to discover this story has a twist in its tale guaranteed to touch even the most hardened of hearts. It hit me hard. As I’m sure it will you.

Do you want to kick-start your filmmaking career? Monumental Favour could be the perfect vehicle to get you off the starting blocks.

Read: Monumental Favour.

About the Writer: Colin Sharp  is an aspiring screenwriter whose lifelong love of film led him on to the road to writing his own stories. Whilst a fan of all genres of film, Colin primarily enjoys writing comedic tales but is also a sucker for romance and anything that will scare the bejesus out of him.

About the Reviewer: L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

PAUL (3-page short drama screenplay) by STEVEN CLARK

Sometimes, the best gift you can give is to just listen…

The world can be a very cruel and lonely place sometimes. As someone who lives in New York City, I see homeless people every single day, whether they’re on the subway begging for change or making their money as street performers. Either way, they spend most of their days alone, being ignored, neglected… and often mocked.

In writer Steven Clark’s heartfelt, slice of life dramatic piece, our title character knows this type of life all too well – he is a homeless street performer who spends his days strumming the guitar for passersby with hopes of collecting a little change. At night, he takes shelter in the basement of a local church. When he wakes up, it’s back to the street corner with his guitar. That’s pretty much every day for Paul.

Paul is a pleasant man, just trying to survive. Strumming the guitar seems like somewhat of a peaceful outlet for him, helping him forget about his hardships every time he picks up the guitar. Unfortunately, it seems like the guitar is his only friend.

But he has his fans. A passerby named Rory, for instance, seems to enjoy Paul’s guitar playing. Most people, however, ignore him. Or, like a pair of obnoxious teenagers at the story’s opening, make fun of him.

There’s a sadness in the tone of “Paul” and how he’s treated. He just seems like such a nice guy, we really do feel for him and empathize with his lonely existence. But, by story’s end, we see just how important making a connection with someone really is and how something as small as saying “hi” can make someone’s day. Kindness can really go a long way. It’s a shame there isn’t more of it the world.

SPOILER ALERT: You may shed a tear or two before FADE OUT.

BUDGET: Low. Minimal cast, minimal locations.

ABOUT THE WRITER: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at his website.

Read: PAUL (3-page short drama screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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