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Monday, November 2, 2020

You Can’t Force Love by Marnie Mitchell – short script review (available for production*) - post author Michael Kospiah

YOU CAN’T FORCE LOVE

(8-page short rom-com screenplay)

Written by MARNIE MITCHELL

In search of love, a determined man receives help from a female friend.

Stewart is a hopeless romantic searching for the right girl. But it’s been difficult for him. He genuinely seems like a good person, but he’s not exactly the most charismatic person in the world. And his fashion sense can come across as a bit plain. He’s just a regular dude. But, overall, he also seems a bit uptight and conservative – or “stiff”, as his platonic friend Hannah tells him.

But Stewart has a date with a nurse soon. And, fully aware of his shortcomings in the fashion department, he invites his free-spirited friend, Hannah, to the mall with him to help him find a cool outfit for his hot date. On the surface, Hannah seems like Stewart’s complete opposite; she has tattoos and, even though she rocks thrift store duds, she looks pretty hip in a “grunge/skater” kind of way. But, because Stewart is completely aloof when it comes to women, Hannah seems like the right person to help him out.

As they shop around and hit up department stores, we see just how “stiff” Stewart really is when they have an exchange about coffee.

            HANNAH
     (holding up a Starbucks cup)
Would have got you one but you don’t
drink coffee, which is almost as crazy
as you not owning jeans.

            STEWART
I drink tea and own every color Docker.

But as we follow them through the mall, through fantastic dialogue exchanges, we start to see a charming side to Stewart. And we also learn that he and Hannah tried dating at one time. Well, they had one date. Of course, it was Hannah who friend-zoned him.

            STEWART
That was your call, Hannah.
You’re the one who said I was too stiff,
not spontaneous. Said I wasn’t the one
for you and we’re better off as friends.

However, Hannah soon learns that one date doesn’t reveal EVERYTHING about a person, as she peels back layers to Stewart’s personality and discovers a very charming side to him. In turn, Stewart learns to loosen up a little bit while finding out more about himself… ultimately revealing why he chose Hannah to come with him.

In what feels a little like “Before Sunrise” in a mall, the intelligent dialogue and charming characters really draw you into this story. Overall, this is an extremely cute, smart rom-com with natural yet witty dialogue… and a very satisfying conclusion.

BUDGET: Low… if you can find a department store or mall that is film-friendly.

ABOUT THE WRITER: Marnie is an award-winning screenwriter and 5-page contest junkie. Due to her addiction, she’s written over 80 shorts, 15 having been produced. Currently she’s working on her 8th feature, an adaptation of a horror short she wrote 10 years ago. Some of her work can be found on her site, BrainFluffs.com

Read YOU CAN’T FORCE LOVE (8-page short rom-com screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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Wednesday, October 28, 2020

… For Dummies by Ben Clifford – short script review (available for production*) - post author Michael Kospiah

… FOR DUMMIES (10-page short dark comedy screenplay) Written by BEN CLIFFORD

A couple planning a special evening for their anniversary have exactly one hour until their guest of honor arrives.

Another top entry from September’s OWC comes my personal favorite of the bunch – a witty, surprisingly dark, pitch-black comedy from writer, Ben Clifford, about a middle-aged couple seemingly trying to add a little excitement to their marriage on the night of their anniversary.

With one hour before their “dinner guest” arrives, David and Doreen nervously prepare for the special occasion. Why are they nervous, you ask? Well, this is the first time either of them has done (or is about to do) something like this – a menage e trois, as the French like to call it. At least that’s what it seems like they’re preparing for before their guest – a handsome stud they found on a dating app – arrives.

As the hour winds down, we’re continuously provided a countdown of sorts to remind us how much time is left before their guest arrives. And as the countdown gets closer, the couple grows even more anxious, as do we, the audience. And David begins to have second thoughts.

            DAVID
Like, I know we talked about it. I know we
both agreed on a guy. I just don’t remember how.
The whole week is such a blur.

            DOREEN
Would you be asking me this if Mark was a
beautiful young woman?

            DAVID
That’s not the point.

            DOREEN
It absolutely is! Why is there an expectation
that I would be okay with leaving my comfort
zone and not you?

            DAVID
I’ve never done this with a man.

Full of hilarious banter between the couple as they continue to rehearse their plan, the awkwardness feels like something we’d be experiencing if it were us and our significant other. It just feels genuine … .

And then comes the ending. I won’t reveal the plot-turn here in this review, but let’s just say we’re taken into a completely different, unexpected direction. And I absolutely loved it!

BUDGET: Shoe string. Only two on-screen characters and a house/apartment. This would be super easy to film.

ABOUT THE WRITER: Ben Clifford is an Australian screenwriter interested in writing drama and comedy. He’s greatly inspired by the works of Peter Weir, Harmony Korine, the Marx Brothers, Todd Solondz, Andrea Arnold, and Cate Shortland. Ben can be reached at: cliffordben502(a)gmail.

Read: … FOR DUMMIES (10-page short dark comedy screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

Monday, October 26, 2020

The Monster in the Well by Zack Akers – short script review (available for production*) - post author Michael Kospiah

THE MONSTER IN THE WELL (6-page short horror screenplay) by ZACK AKERS

There’s a monster in the well. Don’t believe me? Take a peek…

On the surface, the story’s main character, Doug, might seem normal to friends, neighbors and people close to him, such as his wife. But, as we see him in his car parked outside of a children’s playground, we learn that he is far from normal. In fact, he’s hiding a very, very dark secret. One second, he’s checking in with his wife after a day at the office. Next second, he’s preying on small children.

On this day, his next target is Cherry, an innocent six-year-old girl. An expert at this point at luring in little kids, Doug makes easy work of Cherry in a very unsettling scene – I hadn’t squirmed this much since that “child catcher” scene in Chitty Chitty Bang Bang.

Doug brings innocent little Cherry to a well, where he says a monster lives at the bottom of.

            DOUG
No one knows exactly how he got
down there, but word is if you
get too close… He’ll pull you in.
     (pauses)
He sure is ugly. Blood red eyes.
Dark green skin. Teeth as long as
your adorable fingers… and they’re
really sharp.

Though many children are often drawn to campfire tales and spooky stories (Bloody Mary for instance), this frightens Cherry. At this point, all she wants to do is go home. Doug promises her that if she looks down the well just once, he’ll take her home. And, unfortunately for Cherry, like so many other children, she takes the bait and is thrown inside of the well.

Now, as the story progresses, it explores some very, very dark territory and might not be for everyone – it will FOR SURE make you very uncomfortable at parts. But Doug’s visually stunning comeuppance (SPOILER ALERT) might take the edge off.

Dark, edgy and controversial with some really creative horror visuals, THE MONSTER IN THE WELL will make you squirm and shudder long after FADE OUT. Especially if you have children of your own.

BUDGET: Low. Access to a well for establishing shot while creating a set or cheating shots for the scene that takes place inside of the well. Other than that, a park and two main characters.

ABOUT THE WRITER: Zack Akers has been writing screenplays since 2005, accumulating over 25 horror shorts with a handful of them having been produced. A true fan of the horror genre, Zack’s goal is simple – to scare the audience. Right now, Zack is collaborating with several talented filmmakers on some very exciting projects. So be on the lookout for some of his work!

Read THE MONSTER IN THE WELL (6-page short horror screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.


About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

Monday, October 19, 2020

Howard’s Jewelry & Loan by James Williams – short script review – available for production* - post author Michael Kospiah

HOWARD’S JEWELRY & LOAN (8-page short thriller screenplay) by James Williams

A boxer pays a visit to his loan shark after being told he has exactly one hour to settle his outstanding debt.

Tied for 2nd place (writer’s choice) in September’s OWC was this nifty little short about a 67-year-old loan shark named Howard who’s way past his prime. He’s not quite as good at collecting debts as he used to be back in his heyday. Especially in this instance when a young, spry 20-something boxer named Marcus barges in to set things straight.

In peak physical condition, Marcus easily beats the tar out of Howard’s “muscle” guarding the door. He’s owed Howard 50-large for a while now. But, after getting paid a visit by a pair of Howard’s thumb-breaking cronies – who Marcus easily handled – Marcus is here to tell Howard that he’s just not going to pay him.

            MARCUS
Loan sharking is a dying business,
Howie. Can’t make people pay if they
ain’t scared. Shit, can’t kill anyone
these days and get away with it. You
watch that Forensic Files? They bust
everyone now. Consider this a life
lesson. It might be time to look for
a new profession.

            HOWARD
I’m 67 years old. I don’t know how to
do anything else.

In pulpy stories like these, it’s usually the aging boxer who’s out of his prime, which is why I found this throwback-style crime tale so unique. It seems as though Marcus has the upper hand. But with age comes wisdom and Howard is somehow able to cleverly redirect the conversation and overall situation into his favor.

The clever dialogue really elevates the story, effectively building tension through conversation in ways that loud, run-of-the-mill, action crime-thrillers often fail to accomplish. And with one location and only three characters, this would be about as easy to shoot as a film can get, especially with COVID precautions in effect. As far as crime stories go, this one packs a punch.

BUDGET: Low. One-location (an office room at a pawnshop) and three actors.

ABOUT THE WRITER: James Williams was born and raised in Northeast Ohio. His passion for film started at a young age when he spent weekend evenings attending movies with his father. After some life changing events in his thirties, he began to pursue his passion for film by writing screenplays. His second feature, The Blood Loop, was an Academy Nicholl quarter finalist. After a few successful short scripts were produced by other filmmakers, James decided to pick up the camera himself. Self-taught from YouTube tutorials, reading books, and filling any spot he could on local film crews, James finally shot his first film, Cooper’s Monster with his wife and one-year old son. One year later James has four films under his name and is progressing as a filmmaker. He gravitates towards making the type of popcorn horror movies he and his dad so loved at the cinema. James can be reached at: jdaddy6688 (a) sbcglobal.net

Read HOWARD’S JEWELRY & LOAN (8-page short thriller screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

Wednesday, October 14, 2020

The Dead Rock by Zack Ackers – episode 4 from Horrific Tales of the Wickedly Macabre - post author Don

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

The Dead Rock by Zack Ackers (Wraparound Story Written by Sean Chipman)

A small-time punk rock band seeking a weekend of kicks encounter an unimaginable evil. Bloody chaos ensues. 45 pages (Short, Horror) pdf format

Episode Four of Horrific Tales of the Wickedly Macabre

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Monday, October 12, 2020

Unsaid by David Lambertson – short script review – available for production* - post author Michael Kospiah

UNSAID (8-page short drama screenplay) by DAVID LAMBERTSON

An unhappily married woman contemplates leaving her husband and finally confronts him about it…

Relationships aren’t easy, especially when it’s a relationship you don’t want to be in. But as difficult as relationships like these can be, sometimes there are factors involved that make leaving even more difficult. Especially when marriage is one of those factors.

In David Lambertson’s dialogue-driven, September OWC winner, “Unsaid”, the story’s protagonist, Jennifer, isn’t happy with her marriage. It’s made pretty clear as she and her husband, Derek, watch TV from separate couches. As she sips a glass of wine, watching him guzzle beer and inhale nachos while watching football, she contemplates the possibility of leaving him. She’s been thinking about this for a long time. And, after a few glasses of wine, she finally musters up the courage to end things then and there.

            JENNIFER
I want a divorce.
     (exhales)
Oh my God, that felt good.

            DEREK
You’re serious…?

            JENNIFER
And it’s not that I don’t love you.
I think I could work through that.

            DEREK
Then what?

            JENNIFER
It’s because I hate you.

Turns out that Jennifer didn’t even want to get married to Derek in the first place. So, why go through it? Well, it turns out that the reason they got married is the same reason why Jennifer ends up second-guessing her decision – their daughter, Emma.

I won’t give away too much. But though this may seem like a straight-forward marriage drama at first, the unique structure gives the story an unexpected level of depth that hits even harder. It reminded me somewhat of the bittersweet final sequence in “La La Land”, though much more grounded and with opposite circumstances.

The dialogue and the character work here is about as good as it gets in a story like this. And the subject matter is handled with such realism, it’ll strike a chord with anyone who’s ever been in a relationship. It sure as hell struck a chord with me.

BUDGET: Shoe-string – three actors (one child) and a house.

ABOUT THE WRITER: David Lambertson: I took up writing rather late in life having already been retired before I put pen to paper (okay – finger to computer key) for the first time. My favorite genres to read and write are dramedies and romantic comedies. In addition to this short, I have written four features; “The Last Statesman” (a 2015 PAGE finalist and a Nicholl’s and BlueCat quarter-finalist), “The Beginning of The End and The End” (a PAGE Semi-Finalist). “Taking Stock” (a drama) and a new comedy – “Screw You Tube”. Want to learn more? Reach Dave at dlambertson (at) hotmail! And visit his website.

Read UNSAID (8-page short drama screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

Wednesday, October 7, 2020

Kindhearts by Sean Chipman – episode 3 from Horrific Tales of the Wickedly Macabre - post author Don

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

Kindhearts by Sean Chipman (Wraparound Story Written by Sean Chipman)
A troubled couple visits a sit-down chain restaurant on their daughter’s 15th birthday, only to find that the restaurant harbors a dark secret.

Discuss this script on the Discussion Board

Monday, October 5, 2020

Jeremy’s Date by Bryce Smink – Short script review (available for production*) - post author Michael Kospiah

JEREMY’S DATE (5-page short horror screenplay) by BRYCE SMINK

An attractive teenage boy, Jeremy, has a date tonight! But after getting to know him a bit, we find out that the date is going to be a whole lot more sinister.

We open as our high school teen protagonist, Jeremy, rides his bike victoriously, unable to wipe away that proud smile off his face. Once home, his upbeat mood seems to catch the attention of his older brother, Griffin, who, like most older brothers, likes to give his younger sibling a good ribbing. There’s this look in Bryce’s eyes, that unmistakable look many of us had when we’re younger – he’s in love for the very first time. And tonight, he has a date!

            GRIFFIN
And this isn’t some girl you met
online, right? It’s not some dude?

            JEREMY
No, she is a real… Breathing girl
that I’ve know for quite awhile now.
She’s, uh, She’s awesome.

Though skeptical, Griffin seems legitimately happy for his little brother.

As Jeremy gets ready for his big date, brushing his teeth, wearing his nicest outfit and spritzing himself with a little cologne, it feels like a typical scene from a classic teen movie. But, once Jeremy arrives to see his “date”, the story gets gleefully dark and twisted and we understand why his older brother was so skeptical.

Wonderfully demented, this pitch black, teen tale will for sure make you squirm in the best way possible. And with social distancing precautions in effect, this would an excellent story to film on the cheap while maintaining proper safety measures.

BUDGET: Low. Three actors (one of them a corpse) and pretty much two locations (a house and an underground drain pipe/tunnel).

ABOUT THE WRITER: Currently a junior in high school, Bryce has been writing scripts and short stories for about five years. He originally had the idea for Jeremy’s Date when he was in middle school, and the idea just stuck with him ever since. Bryce especially loves stories with dark subject matter but enjoys adding a comedic twist on them. Though Bryce lives in Texas, he plans on attending NYC to pursue a career as an English teacher while also pursuing his dream job as a screenwriter. Bryce can be reached at: brycesmink(a)outlook.com

Read JEREMY’S DATE (5-page short horror screenplay)

Discuss this script on the discussion board

*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.


About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

Saturday, October 3, 2020

Kindhearts by Sean Chipman – episode 3 of Horrific Tales of the Wickedly Macabre - post author Don

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

Kindhearts by Sean Chipman (Wraparound Story Written by Sean Chipman)
A troubled couple visits a sit-down chain restaurant on their daughter’s 15th birthday, only to find that the restaurant harbors a dark secret.

Discuss this script on the Discussion Board

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