THE MONKEY’S PAW (9-page short horror screenplay) by Steven Sallie

In this modern telling of the short story by W. W. Jacobs, three wishes are granted to the owner of The Monkey’s Paw, but the wishes come with a price for interfering with fate.

You may be familiar with the title – there’s been numerous versions of this tale (based on the classic short horror story) in literature, film and TV. My personal favorite retelling is probably from The Simpsons Treehouse of Horror version from many years ago.

In writer, Steven Sallie’s cleverly chilling retelling, the message is the same as it is in the original: be careful what you wish for. And in this version, middle-aged couple, Henry and Katherine, learn this the hard way.

One day, Henry receives a visit from an old military buddy named Sergeant Morris, who brings with him a gift.

Henry’s wife, Katherine, and adult son, Mike, treat it like one big joke. But Sergeant Morris is dead serious. Haunted, even. He, himself, has used the monkey’s paw and witnessed its mystical power. And after using up his wishes, he’s passing this “gift” off to Henry.

Despite Katherine’s disgust, Henry makes a wish: he wishes for $30,000 to pay off their mortgage. But, at his wife’s request, Henry throws the severed primate appendage in the garbage.

The next day, they receive terrible news: their son, Mike, has died tragically in a work accident. As a settlement to the family, his job sends Henry and Katherine 30 large. Coincidence? I don’t think so. Neither does Katherine, grieving the loss of her son.

I won’t give away too much of the rest of the story, but it ends with a macabre yet heartbreaking twist – this one isn’t for the feint of heart.

The source material is a classic cautionary tale that most people are probably familiar with, but writer, Steven Sallie, modernizes the tale and makes it feel fresh. I highly recommend this to any filmmakers looking to take on a project that is sure to gain views based on the source material’s popularity.

BUDGET: Low. The story is essentially one-location (a house) and four actors, but there is a funeral scene. I’m sure this can be altered or cheated – this can be easily cheated with a POV shot from inside a grave, the two main characters looking down. Or however way the filmmaker feels best.

ABOUT THE WRITER: Steven Sallie has been writing screenplays for a few years now and loves it. He has several short scripts in various stages of production. His most recent, First Glance is available on Youtube and also at the Liftoff First-time Filmmaker Festival. Steven can be reached at stevensallie55 (a) gmail.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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BATS CAN SEE (13-page short horror screenplay) Written by Yuvraj Rajwanshi

A visually impaired painter with an unusual gift soon discovers that her paintings bear resemblance to a forthcoming mishap.

They say a picture is worth a thousand words. But a painting can convey a stronger message than words can describe. And that message can be interpreted in many, many ways, depending on the person interpreting the art. The paintings in this tale, however, seem to be very specific in what they’re conveying, leaving no room for interpretation…

Gwen is a very talented artist despite her visual impairment: she can accurately paint portraits of her subjects simply by touching them. And her process is unusually quick, as made evident in the opening scene with her subject, a young woman named Nina.

The thing about Gwen’s portraits is that she’s not painting them with exact poses in mind or considering backgrounds or concepts for them – it’s almost as if each brush stroke has a mind of its own, creating works of art based on sheer instinct. And once Gwen finishes her painting of Nina, we see a pair of headlights in the work, as if a car were about to hit her. Sure enough, Nina does end up dead. And, as the painting depicts, it seems to be because of a hit-and-run incident involving an automobile.

Nina’s friend, Rose, investigates the death of her friend with the help of her friend, Mick, who’s part of a news production team that just happen so happens to be reporting on the tragic hit-and-run. But Rose doesn’t have to do too much investigating – Gwen finds her after hearing about the tragic news.

Are Gwen’s painting’s predicting the future? Or are her paintings, in some cosmic, other-worldly way, causing these incidents to happen somehow?

With a very clever premise and a mysterious character in Gwen, this mind-bender will keep audiences guessing and interpreting what they’ve just seen, as if looking at one of Gwen’s paintings, themselves. I highly recommend this to any filmmakers looking to shoot something on a low budget with minimal cast.

BUDGET: Low. Four actors, simple locations (a house, a park, street and a cafe). There is one scene with an ambulance and a small crowd.

ABOUT THE WRITER: While pursuing a career in engineering at the age of 19, Yuvraj Rajwanshi is also a talented, aspiring writer who loves to read novels and screenplays. He has read over 50 novels and numerous short stories and scripts. His love for reading stories inspired him to write down his own ideas and turn them into his own stories. Yuvraj loves to write in the suspense, thriller and horror genres, but continues to expand his repertoire while exploring writing in other genres. Yuvraj can be reached at: yuvrajwanshi2000(a) gmail.

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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Great Again by Michael J. Kospiah

After falsely reporting a hate crime, Wendell believes he’s being followed and harassed by a mysterious man. But will anybody believe him this time?

You know you’ve read something great when it keeps resonating with you days later, and such is the case with the timely new short by experienced writer Michael J. Kospiah. Great Again tells the story of Wendell, who in a moment of madness decides to claim that two white guys in MAGA hats mugged him, in broad daylight, in Harlem… when CCTV footage clearly shows that he’s lying.

Wendell meets his eyes with him – he takes a moment to nod.

But in this case when Wendell cried wolf, it appears that he may have accidentally woken the wolf up, as he starts to see a malevolent figure in a MAGA hat following him everywhere. Did I mention that the mysterious figure has a large knife? No, well you can understand why Wendell is so spooked by his shiny new stalker.

His girlfriend, Lisa, isn’t convinced by his sightings of the Maga hat man, she never see’s him despite Wendell seeing him just moments before. But things really escalate when the MAGA hat man follows them home and knocks on their door. Lisa is close to calling the Police, but a once again not finding any sign of the stalker she refuses to pander to Wendell’s paranoia.

Wendell jumps back, Lisa appearing behind him.

That’s enough for Wendell who takes matters into his own hands and stalks out of the house with his gun to confront the man in the hat… only to find his petrified neighbour staring down the barrel of the pistol.

When the Police arrive, matters take a turn for the worse and we are presented with an ending that is both a tragic twist and yet somehow inevitable.
Great Again, is certainly of the now, touching on racism, fake news, Black Lives Matter and the Jussie Smollett case. It weaves its themes expertly and deftly giving you reason to pause, think and consider. Something you’ll find yourself doing repeatedly in the days after you’ve read it.

The characters are well drawn, their world compelling and their dialogue authentic which is why this fantastic script won the recent One Week Challenge on SimplyScripts. This deserves to be filmed.

About the Writer: Michael is a NYC-based, award-winning screenwriter. His critically-acclaimed feature film, The Suicide Theory (79% Rotten Tomatoes score) won awards at Dances With Films and Austin Film Festival and received a limited US theatrical release, 3-year run on Netflix and can now be seen on Amazon Prime, Itunes & Google Play. His latest feature film, Rage continues to collect film festival awards and will be available early 2021 after picking up worldwide distribution. His feature films, “Her Lost Winter” (co-writer), They Never Left and “Dancer” are slated for production 2021. Michael can be reached at: spesh2k (a) msn.com.

Read: Great Again based on Nightmare at 20,000 Feet – S5E3

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About the Reviewer: Anthony Cawood is an award-winning screenwriter with one feature produced and a further four features optioned or in pre-production. In addition to features, he has over forty short scripts produced/sold/optioned – including ten filmed. Also occasionally pens screenwriting articles, interviews with writers and filmmakers, and even a short story or two. He can be reached on his website AnthonyCawood.co.uk.

THERE’S SOMETHING INSIDE (4-page short horror screenplay) Written by Mark Renshaw

A strange creature seeking shelter for the night finds itself 20,000 feet in the air on an airplane wing with one passenger inside bent on its destruction.

Whether you’ve ever seen the Twilight Zone episode, “Nightmare at 20,000 Feet” starring William Shatner or the “Twilight Zone: The Movie” version starring John Lithgow, you know the gist of the very popular tale: Man sees a gremlin on the wing of an airplane plane but nobody believes him. The man believes the gremlin is there to destroy the airplane and decides to take matters into his own hands, no matter how crazy he looks. But, if you’re like me, you’ve always wondered why the gremlin was there in the first place? What were its motives?

Well, in this Twilight Zone-themed, October OWC 2nd place winner, writer Mark Renshaw answers that question with his clever take on the tale – writing it from the perspective of the gremlin.

The story opens with our gremlin roaming an airfield, minding its own business, innocently looking for a place to take a nap. He finds a nice, cozy spot under the wing of a plane. But, when he wakes up, he realizes that he’s 20,000 feet in the air! Confused and frightened, he looks to one of the plane’s windows and sees the Shatner/Lithgow character staring at him from inside the plane. And it’s clear that this passenger has some bad intentions towards our gremlin.

As clever as this premise and its execution was, what I was most impressed with is that this script pretty much has zero dialogue – and yet, I was completely absorbed into this story throughout.

For any filmmakers who are TZ fanatics like me, this would make an excellent fan film and will be sure to rack up some Youtube/Vimeo views.

BUDGET: Modest. Two words: Green. Screen. And a little set-building.

ABOUT THE WRITER: Mark Renshaw is an award-winning screenwriter and producer, his sci-fi TV pilot script “Nearscape” reaching the semifinals of the prestigious Page Awards and 2ndround of the Austin Film Festival. His short script, “Cyborn” was the inaugural winner of the Inroads Screenwriting Competition. Reaching the top 4% of the BBC’s Open Drama Submission, Mark has also been added to their list of promising writers. As a producer, his first two short films, “No More Tomorrows” and “Surrender” have enjoyed successful runs on the independent circuit, garnering several awards. His latest sci-fi short, “The Survivor: A Tale From the Nearscape”, which he wrote and produced, currently has a worldwide distribution deal with Meridian Releasing, also serving as a proof of concept for a TV series. Mark has also had several short stories published, including “Ragnarok” by Cohesion Press in the horror anthology, “SNAFU: Resurrection”. You can watch check out Mark’s produced films and scripts on his website at mark-renshaw.com.

Read: THERE’S SOMETHING INSIDE (4-page short horror screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:
Roach Motel by Pia Cook (Wraparound Story Written by Sean Chipman) hosted by Simply Scripts

Five college students traveling back home from a vacation in Florida are forced by a hurricane to seek shelter in a roadside motel where guests check in but never check out. 37 pages (Short, Horror) pdf format

Episode Four of Horrific Tales of the Wickedly Macabre

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THE MONSTER IN THE WELL (6-page short horror screenplay) by ZACK AKERS

There’s a monster in the well. Don’t believe me? Take a peek…

On the surface, the story’s main character, Doug, might seem normal to friends, neighbors and people close to him, such as his wife. But, as we see him in his car parked outside of a children’s playground, we learn that he is far from normal. In fact, he’s hiding a very, very dark secret. One second, he’s checking in with his wife after a day at the office. Next second, he’s preying on small children.

On this day, his next target is Cherry, an innocent six-year-old girl. An expert at this point at luring in little kids, Doug makes easy work of Cherry in a very unsettling scene – I hadn’t squirmed this much since that “child catcher” scene in Chitty Chitty Bang Bang.

Doug brings innocent little Cherry to a well, where he says a monster lives at the bottom of.

Though many children are often drawn to campfire tales and spooky stories (Bloody Mary for instance), this frightens Cherry. At this point, all she wants to do is go home. Doug promises her that if she looks down the well just once, he’ll take her home. And, unfortunately for Cherry, like so many other children, she takes the bait and is thrown inside of the well.

Now, as the story progresses, it explores some very, very dark territory and might not be for everyone – it will FOR SURE make you very uncomfortable at parts. But Doug’s visually stunning comeuppance (SPOILER ALERT) might take the edge off.

Dark, edgy and controversial with some really creative horror visuals, THE MONSTER IN THE WELL will make you squirm and shudder long after FADE OUT. Especially if you have children of your own.

BUDGET: Low. Access to a well for establishing shot while creating a set or cheating shots for the scene that takes place inside of the well. Other than that, a park and two main characters.

ABOUT THE WRITER: Zack Akers has been writing screenplays since 2005, accumulating over 25 horror shorts with a handful of them having been produced. A true fan of the horror genre, Zack’s goal is simple – to scare the audience. Right now, Zack is collaborating with several talented filmmakers on some very exciting projects. So be on the lookout for some of his work!

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

The Dead Rock by Zack Ackers (Wraparound Story Written by Sean Chipman)

A small-time punk rock band seeking a weekend of kicks encounter an unimaginable evil. Bloody chaos ensues. 45 pages (Short, Horror) pdf format

Episode Four of Horrific Tales of the Wickedly Macabre

Discuss this script on the Discussion Board

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

Kindhearts by Sean Chipman (Wraparound Story Written by Sean Chipman)
A troubled couple visits a sit-down chain restaurant on their daughter’s 15th birthday, only to find that the restaurant harbors a dark secret.

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JEREMY’S DATE (5-page short horror screenplay) by BRYCE SMINK

An attractive teenage boy, Jeremy, has a date tonight! But after getting to know him a bit, we find out that the date is going to be a whole lot more sinister.

We open as our high school teen protagonist, Jeremy, rides his bike victoriously, unable to wipe away that proud smile off his face. Once home, his upbeat mood seems to catch the attention of his older brother, Griffin, who, like most older brothers, likes to give his younger sibling a good ribbing. There’s this look in Bryce’s eyes, that unmistakable look many of us had when we’re younger – he’s in love for the very first time. And tonight, he has a date!

Though skeptical, Griffin seems legitimately happy for his little brother.

As Jeremy gets ready for his big date, brushing his teeth, wearing his nicest outfit and spritzing himself with a little cologne, it feels like a typical scene from a classic teen movie. But, once Jeremy arrives to see his “date”, the story gets gleefully dark and twisted and we understand why his older brother was so skeptical.

Wonderfully demented, this pitch black, teen tale will for sure make you squirm in the best way possible. And with social distancing precautions in effect, this would an excellent story to film on the cheap while maintaining proper safety measures.

BUDGET: Low. Three actors (one of them a corpse) and pretty much two locations (a house and an underground drain pipe/tunnel).

ABOUT THE WRITER: Currently a junior in high school, Bryce has been writing scripts and short stories for about five years. He originally had the idea for Jeremy’s Date when he was in middle school, and the idea just stuck with him ever since. Bryce especially loves stories with dark subject matter but enjoys adding a comedic twist on them. Though Bryce lives in Texas, he plans on attending NYC to pursue a career as an English teacher while also pursuing his dream job as a screenwriter. Bryce can be reached at: brycesmink(a)outlook.com

Read JEREMY’S DATE (5-page short horror screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.