Welcome to the Machine (6 pages in pdf format) by Dustin Bowcott

A Job Seeker looking to work for The Machine isn’t happy when she doesn’t get the job she wants.

“Absolute power corrupts absolutely.” – John Dalberg-Acton

Such is the theme of the great metaphorical script Welcome to the Machine, by talented writer Dustin Bowcott.

This grisly tale starts out with something we’ve all been through: a simple job interview.

A young woman named Angela waits nervously while Teufel, her potential boss, looks over her application. Lucky for her, she gets the job. Once Angela begins her job training, however, things take a… bizarre turn.

You see, in this world, a huge monster exists who must be fed to be appeased. And this monster is hungry… for human flesh. So Angela and Teufel head down to the cave and watch as hordes of people are herded into the creature’s mouth.

Images of Nazi Germany come to mind as Angela sees someone from her past, about to be fed to the monster’s cavernous maw. Will she be a hero and rescue the man from certain death? Or turn her back on humanity and embrace the beast?

The surprise comes when Angela finds out what job she’s really being offered. Spoiler alert: it’s not quite what she (or the reader) thinks.

Just know that the end highlights that age-old question: how far would YOU go to get ahead?

Budget: High, but still possible, and worth the bang for the buck. Lots of actors (though only three speaking parts) and some CGI or other effects for the monster. But a savvy director could probably make this for less, though there will still be some cost attached.

About the Writer: Dustin Bowcott is a self employed microbe retailer and father of four boys and a girl. He has enjoyed writing since the day he read his first novel. For Dustin, writing is something he has to do, when not writing, he’s thinking about writing and will absorb himself into multiple projects at one time. When he gets tired of writing one thing he moves onto another and has been known to work on three different stories in one day, writing for sometimes 12 hours straight and, on occasion, even longer. Dustin can turn his hand to any genre and has just finished first draft of a new children’s novel. Dustin is a BBC Writer’s Room finalist and a Shore Scripts finalist both in 2014. He is a produced and optioned writer, and has recently turned his hand to production, having produced his first short film with another in the pipeline that should be completed this year. Want to see what else he has in store? Give him a shout-out at dustin7375 “AT” gmail.

About the Reviewer: Mitch Smith is an award winning screenwriter whose website (http://mitchsmithscripts.wix.com/scripts offers notes, script editing and phone consultations. You can also reach him at Mitch.SmithScripts@gmail.com and follow Mitch at https://twitter.com/MitchScripts.

Read Welcome to the Machine

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Yo-yo(3 pages in pdf format) by M.J. Hermanny

Bullying can backfire pretty badly…

Three pages. Not a single word of dialog, but a strict goose bumps guarantee:

You like horror? Then travel with us into the pages of MJ Hermanny’s Yo-Yo – a micro script that takes readers on a trip of horror, into the abyss of a wounded soul.

Maybe you’ve experienced it yourself or at least know someone who did. Being the outsider – the bullied one everyone laughs about – isn’t easy for anyone. Especially not teenagers. Life for them is awkward, as-is.

But what if those victims found a way to manifest all their accumulated pain and hate?

That’s the dilemma of 19 year old Ellen, Yo-Yo’s protagonist. Harassed and isolated, she ends up in a library where she pours over covers of horror DVD films. And the genre that sings its siren song to her isn’t surprising in the least. After all, when one suffers mental torment, the pain and unconscious longing for revenge proves a wonderful breeding ground for… whatever Ellen is about to find in those dark, dismal aisles.

It all starts out with a yo-yo. As the shadows deepen, Ellen’s encounter turns even more horrifying… building into an unholy agglutination of visuals that many will find themselves unable to face.

Sounds like the perfect blend of terror? For those who like stories that burrow under your skin, then trust me… Yo-Yo is! Just imagine the visuals of The Ring or Silent Hill – packaged into the ultimate creepy micro script.

If executed with solid special effects, Yo-Yo is guaranteed to be a jawdropper for film festivals. Pick this up before someone else does. And bring this demonic tale to life!

Budget: Low to medium. Some solid post or CGI required.

About the writer: Boasting an MA in Scriptwriting for Film, Theatre, TV & Radio, MJ Hermanny is an award winning writer, with shorts optioned and produced in countries as diverse as Croatia and Norway. Residing in sunny England, she is currently hard at work developing a series with the BBC Writersroom – as well as working on a number of features (including one low-budget horror and a fantasy adventure script.) Check out her blog, RedCatWriter.wordpress.com. MJ herself can be reached via mjhermanny – AT – gmail!

About the reviewer: A German writer and computer scientist, Thorsten Loos is running his own software development company for a living. In his spare time, he primarily writes tales and scripts in the Science Fiction, Conspiracy and Paranormal genres. (Though he does drift into different genres with his shorts.) Thorsten’s currently working on episodes of an international TV series in development for a U.S. based production company. His pilot script Project Endolon made it to the semi finals of the Creative World Awards 2015, his pilot Mindwalker won ‘best TV Pilot’ in February at Wildsound Festival. His short script ‘The Wall In The Garden’ was recently optioned and is going to production in May. Want to learn more? Then reach out to him at loos.thorsten “AT” web.de!

Read Yo-yo (pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

The Final Piece (4 pages in pdf format) by Ryan Lee

A lonely old woman loves nothing more than completing her jigsaw puzzles. But when a mysterious box arrives on her doorstep one night, her life is about to take a horrifying turn.

The “final piece” referred to in the title of this chilling screenplay is a simple jigsaw puzzle piece. Or so we think, as this unsettling tale unfolds…

The creepiness starts early as we meet 67-year-old Margot who lives by herself in a “lonely domicile that sits at the edge of a thick forest.” It’s the dead of night, and gusts of wind sway the trees in the dark woods outside her window.

An eerie, foreboding setting; yet inside the house all seems cheery. Margot sits in her kitchen finishing her latest jigsaw puzzle: a charming and colorful French garden scene. She pops in the final piece and sighs, “So easy. Where’s the challenge?”

Where, indeed?

And as she puts the dissembled puzzle away, we begin to understand the old woman’s disappointment — her cabinet is filled with dozens and dozens of puzzles. Remnants of a passion gone on too long. Margot needs something – some excitement – to take its place.

All she can do is wait. But not very long.

Later – as she prepares for bed – Margot hears a thump downstairs. She creeps down, turns on the light… to find a mysterious package near her front door. No return address. No writing at all. She opens it: it’s a jigsaw puzzle. A temptation she can’t resist; Margot starts on it immediately.

But as puzzle pieces fall into place, she sees a strange scene take shape. It’s her kitchen. All the familiar things are there. She adds more pieces to the puzzle, and curiosity turns to terror. In the puzzle, she sees herself at the table. She’s being watched – in some eerie way.

The last two pieces reveal the most shocking detail of all – the silhouette of a man in the window behind her, holding an axe. She snaps around just in time to see a glimpse of something. But it fades away into the shadows before Margot can get a better view.

Which is when the lights go out.

Blinded by darkness, Margot hears creaking footsteps on the porch. The front door opens. Followed by heavy breathing.

So what does the title really refer to? Perhaps a puzzle of a different sort. Has Margot put together her last picture? Or found a challenge truly worth her while?

Budget: Low. A few rooms in a modest house. Two actors. And lots of creepiness. Perfect for a filmmaker with a limited budget.

About the Writer: Living in CA, Ryan Lee can be contacted via ryanlee1800 AT yahoo. His IMDB credits can be viewed here.

About the Guest Reviewer: Helen Magellan (a pseudonym) is a successful screenwriter with several produced short scripts under her belt.

Read The Final Piece

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

The Relief 10 pages in pdf format by Jean-Pierre Chapoteau

A sick woman reaches out to a wealthy man to negotiate a few terms for the cure to her “disease”.

If you’ve studied film, or have a great love of it, you will be well versed in the five elements required to create a visual masterpiece – narrative, cinematography, sound, editing, and mise-en-scene – that all important collaboration between director, actors, cinematographer, design, sound, lighting, make up, set builders etc.

Now, you can recruit all the experts on board you like, employ fancy jump-cuts, overlay a heart thumping soundtrack, color your film palette in post, but if it’s not happening on the page it’s likely all that is going to result is style over substance.

I can assure you it’s all happening on the page in Jean-Pierre Chapoteau’s screenplay, The Relief, starting with an opening scene which sets the tone in terms of that intangible element we call ‘atmosphere’, along with some very nasty creep factor.

Crisolla, a woman in her thirties, stands in front of a mirror in the bathroom of a Chinese restaurant, a picture of herself on the countertop.

What follows is unsettling, intriguing, and quite a bit urgh…

Hunched over the sink, Crisolla holds a thin, straw-like tube underneath her shirt.

The tube is attached to a small box on the sink. The box PUTTERS.

The putter slows. Crisolla removes the tube, which has a sharp end.

She tucks her equipment in her purse.

What the hell just happened? And, what is this woman doing? At this point there’s a temptation to look away, and that’s just from the written word… Just imagine what you could do with a camera and… Sorry, I’m getting ahead of myself.

Crisolla joins her boyfriend Leon back at the table and they sit down to a nice dinner.

Thank God, everything’s back to normal…

A discussion ensues between the two, there’s talk of their four month anniversary. Leon is a man of means, his watch cost more than most people’s cars. He’d very much like to cement his union with Crisolla and have her move in with him. But Crisolla has other things on her mind – actually, she seems more preoccupied with her appetite – than she is with any potential carnal desires.

She’s just hoeing into a nice juicy steak, right? Okay, it’s a little on the blue side but there’s nothing wrong with that; everyone likes it rare these days, don’t they?

Upon leaving the restaurant, however, we are now suddenly plunged into a world of:

Soldiers, barricades and checkpoints – there’s an immediate sense of dread, a dystopian feel to this world. A surreal tone is evoked and the temperature has just dropped to chill factor.

When Leon questions a guard’s apparent lax attitude towards Crisolla’s ID papers:

            SOLDIER
We know each other from mutual
acquaintances.

            LEON
…oh. My apologies. I’m a primary
donor to the cause, so you can see
where my concern lies.

We immediately wonder, whose side are you on Leon?

And, ‘primary donor’ of what? What’s the cause Leon speaks of?

My immediate reaction is: What the high hell is going on here?

There are more questions posed too, and they’re all of a very dark nature.

Crisolla is still hungry, but not for what you might imagine. Poor old Leon’s had his offer of cohabitation turned down and now he’s left begging for a good night kiss. He leaves, or rather he’s given short shrift and sent packing.

Alone now in her apartment, the tension ramps up further with the reappearance of the ‘box’, the ‘tube’, and the ‘brown’ sludge. Not only that, but what’s with Crisolla’s weird pre-bedtime ritual of slathering herself from head to foot in some very weird gunk and then lowering herself into a bath of…

Okay, I’ll leave it right there, if you want to know more you’re just going to have to delve deeper yourself.

Filmmakers: Are you a fan of television show, Black Mirror, and of movies Under The Skin and Fight Club? Are you searching for gritty, dark and edgy? Do you want to create atmospheric magic on screen? Look no further.

Take a walk on the dark side with: The Relief.

Budget: Moderate. A few scenes/settings. But nothing unreasonable.

About the writer: Jean-Pierre Chapoteau started writing feature length scripts in 2005 then focused on shorts in 2009. Since then he’s had three scripts produced and two more optioned. He has won several awards for his shorts and has become a moderator at the site MoviePoet, who specialize in the craft of the short scripts. Jean-Pierre was a finalist in the RAW TALENT Competition for his faith based feature length script: ‘Far From Perfect.’ And was also a semi-finalist in the SLAMDANCE teleplay competition and a finalist in the OBSWRITER teleplay contest for his adapted teleplay, Curb Your Enthusiasm: The Guardian. You can contact Jean-Pierre Chapoteau at: jeanpierre425 (a) gmail.com

About the reviewer: L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

Read The Relief

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

On The Job Training 1 page in pdf format by Tim Westland

Two grave diggers bond over their work

In its entirety, the world’s shortest novel runs just six words. SIX WORDS; words that relay so much – in so short a span – that more story’s simply not needed. Granted, the details are left to the reader. But six words paint the broad picture. Though not entirely accurate, the tale’s often attributed to Ernest Hemingway. And the novel itself reads like a lesson in brevity:

“For Sale: Baby Shoes, never worn.”

Succinct writing isn’t a gift, or just a useful trick of the literary trade. No – it’s an absolute must when writing for the screen. And good screenwriters learn the ropes quickly: de-flower your adjectives, obliterate your “wrylies.” As an art form, scriptwriting requires a scribe to be dead-on point at all times; strategically detailed in each word they write. And that’s what separates screenwriters from authors. You see, screenwriters don’t need three hundred pages to tell a tale. In fact, in the case of “On The Job Training”, Tim Westland needed only one.

You got that right. A single page. Top to bottom, left to right. Start to Fade Out and Finish. The whole script – in one page. As it opens, Westland’s story follows two men toiling away in a cemetery… absorbed in the task of digging a grave. We quickly learn their names, and ages. And dialogue fills in missing pieces. More aspects are quickly implied: one man is clearly more experienced at this work. His younger successor frets about performing well on the job. Yet it’s what hides in the shadows of sentences that really matters in the end. Resulting in a story that starts long before FADE IN, and lingers on a reader’s mind after Westland’s world FADES TO BLACK. A truly great story – and a prime example of a writer’s craft.

Production: Cast 3 – two grave diggers and one corpse. Location – Dirt. Budget: Minimal.

About the writer Tim Westland is an award winning writer whose many scripts have consistently place in the Semi/Quarter finals in Page, Bluecat, and Screencraft. His screenplay, OBeast, co-authored with frequent writing partner Rod Thompson, finished in the Top 10 of ScreenCraft’s 2017 Horror contest. OBeast is also a 2017 iHorror.com finalist. Tim is also the co-author of the acclaimed horror comic/graphic novel (and screenplay), Chasing the Dead, published by IDW.

About the reviewer: Rod Thompson is an award winning, produced screenwriter of both shorts and features. His tally includes one produced feature length film, four produced short films, a Table Read My Screenplay genre win for Best Drama, a BlueCat Quarter-finalist placing, two NAFF Quarter-finalists and one Semi-finalist placing.”Contact Rod at RodThompson1980 “AT” gmail.com

Read On The Job Training

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Go Fish (9 pages in pdf format) by Kirsten James

Two young boys play cards and drink a beer in their father’s hunting cabin until the reality of their day unexpectedly catches up with them.

It’s the 1930’s, but it could be any time. Two young boys, Samuel and Henry, best friends, play Go Fish to pass the time. The winner of a hand gets a pull on a bottle of beer. Who’s going to know? Just the two of them alone in a cabin. Or are they alone?

*Spoilers*

Grandpa is in the cellar and Grandpa ain’t Grandpa anymore. Grandpa is a werewolf and he’s very angry. As you progress through the story you realize this isn’t two boys hanging out in Dad’s hunting cabin. There is a deeper story and threat that they must deal with or wait out before they can leave.

Production: Budget: Medium to Low depending on how creative you are with the werewolf; Location: One – hunting cabin; Cast: Two young boys, one werewolf.

About the Writer: Kirsten James is an aspiring screenwriter in her early 40’s, originally from NZ, living in the USA. She started writing short stories 2 years ago, and after a year learned that she was more geared to writing scripts. Kirsten has a degree in psychology and finds this a great asset to her writing.

Read Go Fish (pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Marguerite (17 pages in PDF format) by John P. Dowgin

An aging diva finds her cherished voice failing her – with a treacherous understudy waiting in the wings. But she has a few magical tricks up her sleeve…

“The devil’s voice is sweet to hear.” — Stephen King, Needful Things, 1991.

But it’s not the devil’s voice that takes center stage in “Marguerite,” a short script by John P. Dowgin — it’s Marguerite’s own voice, although there’s clearly some devilry going on behind the scenes. “Marguerite” is a modern Gothic horror tale rife with jealousy and treachery and the lust for fame and fortune. And voodoo.

Marguerite Woolsley is an aging African-American diva who will stop at nothing to preserve her youth… and her voice. She’s set to make her triumphant comeback in a modern revival of Scott Joplin’s opera, “Treemonisha,” which tells the tale of slave life on a southern plantation in the 1800s. But the title character is an 18-year-old woman, and Marguerite is in her 60s. As the screenplay tells us, “Her age shows even under stage makeup, but cannot dim her presence.” More important for an opera singer, though, is her voice, and it’s not what it once was. During a dress rehearsal she tries to hit a high “C” and her voice cracks. “The note she hits is not only clearly wrong, it’s not even close.” The producers panic, but not Marguerite. A little dose of voodoo — some candles, animals skulls, a necklace made of bones, and thirteen dead crows — and voila! Her voice is sweet again. As sweet as, well… the devil’s.

But Marguerite’s understudy, Therese, has plans of her own. And some voodoo of her own, too. Like a predator sensing weakness, she strikes, sabotaging Marguerite’s voodoo talisman, her gris-gris bag, and we watch as Marguerite withers. First her voice goes, and then, when we last see Marguerite, “Her face is ancient skin stretched over bone. Her eyes have recessed into her skull.”

And Therese is set for her “triumphant debut” in “Treemonisha.”

But there’s voodoo, and there’s voodoo. And when Marguerite’s gnarled hand reaches into her hidden voodoo shrine and retrieves the ancient book, the mysterious pearl box, and the magic red powder, it can only mean one thing…

…not so fast, Therese!

Budget: Rather high, but manageable, and definitely worth every penny. Locations (e.g., the Metropolitan Opera House) and some aging effects would be the most expensive budget items. If they were simulated somehow, the overall budget would be moderate.

About the writer: John P. Dowgin is a playwright, screenwriter, director and actor, as well as a founding member of the production company The Porch Room (porchroom.com) for whom he directed the original work ‘Antony & Cleopatra: Infinite Lives” at the 2013 New York International Fringe Festival. Two of John’s plays have been published in the compilation “Accidents Happen” by Samuel French, and have been performed in New York, Los Angeles, Indianapolis, Toronto, Dublin, and Australia. A number of his screenplays are also in ‘development’, which he suspects to be a theoretical dimension like Oz. He lives in New Jersey with his wife and son.

About the guest reviewer: Helen Magellan (a pseudonym) is a successful screenwriter with several produced short scripts under her belt.

Read Marguerite (pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Change of Heart (8 pages in pdf format) by Eric Wall

A desperate virgin’s excursion to a dive bar yields unexpected results.

Urban Legends. They’re part of our culture. Our collective memory. Stories that are told again and again – usually with a moralistic spin. Don’t shirk your babysitting duties for your boyfriend. Or park in Lover’s Lane. Or investigate that noise in the closet. And definitely never get drunk in dive bars and hit on total strangers…

Now THERE’S an urban legend that’s stood the test of time: the one about the guy who gets wasted, only to wake up the next morning with a nasty hangover, in a bath loaded with ice… and missing some body parts… Maybe it’s never really happened, but that’s some evil stuff right there. A creepy tale that’s even inspired a notable Korean horror film, “Sympathy for Mr. Vengeance.”

It’s a scenario that inspired writer Eric Wall as well – and he’s taken it to some surprising (and delightful) places…

Meet protagonist Dennis. A sad-sack waste of a man. 37 years old. A virgin. Recently diagnosed with a heart defect. The fates haven’t been kind to poor Dennis – and it’s about to get far worse. When we meet poor D, he’s slumped in a seedy bar propositioning every female in sight. You see, Dennis is determined to get laid. Resolving at least one problem. Unfortunately for Dennis, his pickup lines stink on ice. As do his chances tonight…

At least until Tracy – an attractive vamp – slinks in the door. Sidling up to the bar and Dennis’ side, Tracy strikes up a conversation. And – as phenomenally unlikely as it seems – she seems to be attracted to him. A drink and some idle banter later, and Tracey agrees to take Dennis to a hotel room. Needless to say, she’s got a few ulterior motives in mind…

A straightforward, gory scenario – at least in SOME writer’s hands. But Change of Heart has surprises in store. Not to mention – heartfelt laughs. Witty and intelligent, Change has some amazing one liners. Not to mention amazingly fleshed out and sympathetic characters – in an eight page horror script, no less! You like dark comedy? Then give Change of Heart a try. It twists your expectations in delightful ways… all the way to its frosty end!

Budget: Relatively low – locations include a low rent bar and a cheap hotel bathroom.

About the writer: Eric Wall is a New Jersey based screenwriter who has written several short scripts, two features and is at work on multiple TV specs. He can be reached at e_wall1498 (a) yahoo.

About the reviewer: Anthony is an award winning screenwriter from the UK with 2 features optioned and over 30 short scripts optioned, or purchased, including 8 filmed. Outside of his screenwriting career, he’s a published short story writer and movie reviewer. Links to his films and details of his scripts can be found at www.anthonycawood.co.uk.

Read Change of Heart (pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Enchanted Quill (10 pages in pdf format) by Mark Renshaw

A troubled young woman seeking answers about her dark past discovers a magic software app that allows her to make wishes comes true, but at a price – each wish costs her a fraction of her soul.

Fairytales play on our most primal of fears; from our moral anxieties and deepest desires to the monsters lurking in our subconscious they resonate through the ages to serve as warnings to the frailty of human nature.

            MILLY (V.O.)
Once upon a time there was a little
Princess who was betrayed by her
Prince Charming.

Milly was once a young, free-spirited innocent – that was until she met Malcolm:

            YOUNGER MALCOLM
Your parents said they would be late.
They asked me if I could give you a
lift home.

Unwittingly accepting the ride, Milly finds her young life locked in a cycle of tragedy and abuse as she’s passed from one monster to another.

The years pass and the abusers move on leaving Milly to struggle with the horrors of her childhood. One day she stumbles upon the dark web where a magic app called The Enchanted Quill gives her the promise of revenge. Of course, a deal like this comes at a price, but what’s 5% of your soul per wish when sweet vengeance is at stake?

And this is where we join the tale. Not in an enchanted kingdom in a land far away but an abandoned warehouse with Malcolm and cohorts trapped and Milly able to control their every action with the aid of The Enchanted Quill.

And this Princess is in no mood for forgiveness:

            MILLY
Fuck yeah! Let’s get the endgame
rolling. Enchanted Quill obey my
whim, give Malcolm a compound arm
fracture, through the skin! Woo, I
did a poem!

Milly proceeds to recount her tale, jumping from the past to the present as she puts her tormentors through their own personal hell. From the visceral to the surreal: fingernails are removed, arm bones are gnawed on and in a nod to the source material the repetition of mundane tasks takes the form of torture. Imagine taking off your shoes only to put them back on again…over and over and over…

Writer Mark Renshaw draws out the darker aspects of a little known fairytale called The Enchanted Quill to deliver a uniquely modern tale of retribution replete with monsters, tortured souls and unflinching violence. If you like to wring every last drop of blood from your horror then this is for you.

Budget: Four characters. Simple enough location wise with one main room and a handful of exterior shots informing the flashbacks. Plenty of gore on this one so experience with make-up and some creative effects would be a bonus. Based on The Enchanted Quill

About the writer Mark Renshaw In 2015, a short film he wrote and produced No More Tomorrows won several awards on the film festival circuit. He also won a ‘Top Pick’ award for his short script, ‘Automatic Drive’ in the finals of Reel Writers Competition.

His second film Surrender was released in September 2016. It has won Exceptional Merit awards for best Short Film, Writer, Lead Actor and Original Score in the Depth of Field International Film Festival.

‘Surrender’was most recently showcased in the Awareness Film Festival in Los Angeles and will feature in the Sunderlands Film Festival in May.  

Mark is currently working on producing his next script, a sci-fi short called ‘The Survivor.’ Filming is due to start in Milwaukee in mid-March.

You can check out his work on his website at Mark-Renshaw.com and on Mark’s Script Revolution profile.

About the reviewer: Steve Miles started writing scripts around five years ago after realizing that his social life was vastly overrated. He enjoys writing in a variety of genres but leans toward raw, grittier characters and the worlds they inhabit – from the deadly serious to the darkly comic. Drinks coffee, owns an unhealthy amount of plaid and uses a calculator for the most basic of sums. Check out more of his work at sjmilesscripts.webs.com

Read Enchanted Quill (10 pages, pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.