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Thursday, June 18, 2020

I’ll Be Seeing You… by Gary Howell – Short Script Review (available for production*) - post author L. Chambers

I’LL BE SEEING YOU
(five page short drama)

A man vows to bring his wife home from a nursing home in the midst of a deadly pandemic.

After reading Gary Howell’s script, I’ll Be Seeing You I was instantly reminded of this unforgettable line from a very well known and loved film…

I am nothing special… There are no monuments dedicated to me and my name will soon be forgotten. But in one respect I have succeeded as gloriously as anyone who’s ever lived. I’ve loved another with all my heart and soul; and to me this has always been enough. — Duke/Noah Calhoun – The Notebook (2004)

The same beautiful sentiment shines through Gary Howell’s I’ll Be Seeing You, an unforgettable tale of love in the time of lock-down.

We open on a grizzled Henry, recently separated from his one true love, Annie.

At first glance we don’t know the reason for the couple’s separation but then we quickly discover Annie is gravely ill and in a nursing home.

One thing’s for sure though. Henry’s devotion to Annie is dogged. He’s certainly not going to let something like a virus come between him and the woman he loves.

And so he vows…

            HENRY
Gonna bring you home, Annie.
Promise you that.

EXT. NURSING HOME – MORNING

A beat up Cadillac pulls into a parking spot. Henry proceeds to the entrance, and tries to open the front door, but it’s locked. A sign in the middle of the door reads: “FOR THE SAFETY OF OUR RESIDENTS, NO VISITORS ALLOWED. NO EXCEPTIONS.”

His shoulders droop and he shuffles back to the car. He contemplates driving away, but then gets out and opens the trunk.

So, what’s Henry going to do?

First lock-down and now locked out from the love of his life?

What I will tell you is that this is a beautiful timeless love story. With its clever narrative running parallel to Henry serenading Annie with: I’ll Be Seeing You (a song made famous by Frank Sinatra, Billie Holliday, and the indomitable Jimmie Durante) writer Gary Howell knows exactly how to pull at an audience’s heartstrings, combining the perfect blend of sentimentality with realism in a tear-jerker that will stay with you long after reading.

Following in the tradition of such classics as: The Notebook, An Affair To Remember, Up, and The Fault In Our Stars, and for anyone who has ever fallen deeply in love, I’ll Be Seeing You tells a tale of the indefatigable power of enduring love.

Filmmakers: You’re going to swoon over this one. Just don’t let it be the one that got away.

I’ll Be Seeing You tied for First Place, Writer’s Choice, Simply Scripts May, 2020 challenge – The Journal Of the Plague Year – stories real and imagined/inspired by the current pandemic.

ABOUT THE WRITER: Gary Howell is an attorney by trade, but a writer at heart. He has written several shorts, three of which have been produced, Country Road 12 that stars Dee Wallace (“E.T.”, “Poltergeist”), “Skip,” and “Study Date,” and was executive producer on another short film, “Clean Slate.” He has also co-written with Rick Hansberry a dramedy, “According to Plan”, that was optioned with Josh Monkarsh of Traffic City Productions, and is in development. He has had a manager reach out regarding representation after a drama pilot, “Bounty,” has performed well in several competitions.

Gary enjoys writing both comedy and drama, and leans towards indie-themed pieces that are character driven. He enjoys reviewing scripts and providing advice and constructive criticism to other writers, and would welcome the opportunity to work collaboratively with any producers/directors looking to work with him on any type of project. Gary can be reached at: GaryMHowell (a) gmail.

Read I’LL BE SEEING YOU (five page short drama in pdf format)

Discuss this on the discussion board.

*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.


ABOUT THE REVIEWER: L.Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

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