FINDING THE BROTHER (5-page short mystery-thriller screenplay) by Bill Sarre
https://www.simplyscripts.com/scripts/FindingtheBrother.pdf
A private investigator is hired by an old friend to find his long-lost twin brother… who may or may not exist.
Okay, Week Three of the Simply Scripts annual Writer’s Tournament theme was NATURE VS NURTURE, a hot-button topic often discussed in some very controversial debates.
The top-scoring entry for week three (based on writer’s votes) was Bill Sarre’s thought-provoking mystery short, Finding the Brother. The three items he was given to include in his script were; a CIGAR, a PUBLIC RELATIONS SPECIALIST and a CASINO.
We open on the Vegas strip, where we meet our story’s protagonist, Jack Faith, a 60-year-old private investigator whose job is to “improve the odds, whatever the hand given”, as he describes in voice-over while at a casino’s roulette table – I kept hearing Humphrey Bogart’s voice as I read his dialogue.
One week earlier, we’re taken to a bar owned by Midnight Carter, an old friend of Jack’s. Brothers from another mother almost. On this night, Midnight gives Jack an envelope full of cash and asks him to find his long-lost twin brother – the two were supposedly separated at birth. But Jack’s a little reluctant to take on his buddy’s case. After all, Midnight isn’t even a hundred percent sure he has a twin brother in the first place – he was told he had one by a tarot card reader/psychic. Jack is skeptical, but Midnight has a feeling. So, to appease his old pal, Jack takes on the case.
Unable to find anything concrete online, Jack decides to put in some leg work and visit the county hall registry – but he comes up empty, only seeing that there was one birth at the time Midnight was born. But the sleuth that he is, he asks Midnight why he was named Midnight in the first place. This seems to open things up a bit and, sure enough, Jack finds his long-lost twin (the time of birth seems to have been the key to finding him).
The man’s name is Felix Star, a famous (or infamous) public relations agent to some of the biggest stars in Hollywood. And he’s coming out with a new tell-all book, dishing out all the dirt and juicy gossip about his clients over the years.
As Jack digs deeper, he discovers that Felix’s upbringing couldn’t be any more different than his old pal, Midnight’s.
JACK (V.O.)
Life’s not fair. Not to me, not to
Midnight. But it was for Felix.
(beat)
One goes to a rich family. Thinks
the world owes him. The other to a
kids home, run by a sick priest.
While Midnight grew up to be an honest, hardworking, good person despite his harsh upbringing, Felix, raised in luxury and privilege, grew up to be a pretty awful person who gets his rocks off by preying on the vulnerable.
Jack’s investigation leads him to the Vegas strip, where Midnight’s unsavory twin brother has a book signing. It’s here that Jack will inform Felix of Midnight and the two long-lost twins will be reunited. But Jack’s left with a bit of a moral dilemma, here. Yes, Midnight will know for sure that he, indeed, has a twin brother that was separated from him at birth. But, given how much of a slimy, despicable individual Felix is… is Midnight better off not knowing?
I won’t give away EVERYTHING, but the story’s conclusion was surprisingly heartwarming and left me with all the feels once I was finished reading. Despite how well-told the actual story was, what I was most impressed with was how much I cared about these characters and liked both Midnight and Jack. What started out as a gumshoe-type detective tale turned out to be a terrific and heartfelt meditation on friendship. I highly recommend this to any filmmaker looking to make an emotional impression on their audience while keeping them on the edge of their seats with taut storytelling.
BUDGET: Medium. Outside of the casino, the locations are actually pretty simple. But, despite only a few speaking roles, there are some crowd shots in here that will require some extras. I’m sure with some clever film making and access to certain resources, this can be made on a sensible budget.
ABOUT THE WRITER: Living on the Island of Jersey, part of the UK, Bill Sarre has been writing scripts for nine years after a lifetime of imagining them in his head. Having started to put them on paper, Bill has focused on short scripts winning the likes of the London Film Awards in the process. Bill has also been a multiple finalist in major competitions such the Page Awards and Blue Cat, with further success at Nashville and Fresh Voices. He writes across all genres with a preference for developing characters the reader not only can understand, but also care for. Bill can be reached at: bill.sarre@gmail.
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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.
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Huge thanks to John for the heads up on David Koepp’s script archive. Like John August, Koepp has posted what apprears to be his entire library of his scripts to the internet. This is an invaluable resource for screen writers as he has posted multiple drafts of incredibly popular movies where you can see the evolution of the script as well as see the difference between a spec script and a shooting script. 
