LAW SCHOOL (6-page short thriller screenplay) by William David Glenn IV

A potential law student interviews an attorney about his craft, but as their discussion continues his true vengeful motives come to light.

Vengeance is a dish best served cold. And the vengeance in William David Glenn IV’s satisfying, one-location thriller, “Law School”, is served so cold, it’ll will give your taste buds frost bite. But like any plot for revenge, it is completely justified, especially in the eyes of the avenger – though it’s often a very thin line. Especially when the initial offender that originally sparked this act of revenge isn’t, sometimes, entirely at fault.

The offender in this tight little pot-boiler is a criminal defense attorney named Wilson Jacobs. As a criminal defense attorney, he is often seen as the scum of the Earth, making a living defending the worst of the worst – killers, swindlers, thieves, etc. Like many criminal defense attorneys, they’re often defending clients who are guilty. But, due to the law, they MUST do their jobs and DEFEND their clients to the best of their abilities, despite what their conscience might tell them. Although, in losing a case while defending a monster, sometimes it’s secretly a moral win for the defense lawyer. After all, justice was served, right?

Today, Wilson gets to take a little break from his normal conscience-challenging duties – his wife has set him up with an interview with a young lad who’s interested in attending law school named Logan Barton. But just as Logan enters the room with a couple cups of coffee for himself and Wilson, something seems off. As if Wilson recognized him from somewhere.

After a little small talk, the two get down to brass tacks with Logan openly recording the whole conversation (which Wilson agreed to).

Wilson looks back fondly on his 18-year career, though he’s had a few cases that took a toll on him due to the heavier-than-usual workloads they required. But at the end of the day, Wilson loves his job, telling Logan that “It’s tough, but rewarding”. He gives Logan a few golden nuggets of advice in regards to whether or not being a lawyer is something he should pursue or not.

But soon, their conversation gets a little more detailed and personal when Wilson tells the budding lawyer that he doesn’t regret any of the cases he took on – even the ones he screwed up.

And as the story slowly continues to unravel, we find out exactly who Logan is and why he’s there. And though we feel some sympathy for Wilson, the finale/act of vengeance feels earned and is completely satisfying, albeit twisted. Just goes to show, especially when your a criminal defense attorney, you should always do your job to the best of your abilities – the lives of others depend on it, and not just the defendant’s.

Crackling with tension, the payoff to this slow burn is worth the price of admission. Especially with social distancing in place, this would be a piece of cake to film.

BUDGET: Shoe-string. Just two actors, one location (a lawyer’s office).

ABOUT THE WRITER: William David Glenn IV is a filmmaker and screenwriter originally from Lexington, Kentucky and is now living in Los Angeles. He has been an avid (some may say obsessive) movie buff from his early days. Turning this passion for movies into creation, he has written, produced, directed, and/or edited a variety of independent projects; including a feature film titled “Ghost in the Family” which was picked up by ITN Distribution and is available to watch on Amazon Prime Video. There are multiple short scripts of various genres available to option from him on Simply Scripts (and more to come). William can be reached at: davidglennivscripts (a) gmail

LAW SCHOOL (6-page short thriller screenplay)

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.