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Sunday, March 10, 2019

Original Script Sunday for March 10th - post author Don

Over on the Unproduced Scripts page are a bunch of unproduced, original scripts for your reading pleasure.

– Don

Friday, March 8, 2019

Look Beyond by Steve Burton – Produced - post author Don

Look Beyond 15 pages short, drama script in pdf format by Steve Burton

An original glass framed photograph as a gift to a neighbor-friend is severely damaged, followed by a lie about how it happened. Creativity respect is confronted.

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Thursday, March 7, 2019

The Roar of Borealis by John Staats – Produced as a comic - post author Don

Roar of Borealis (5 page adventure in pdf format ) by John Staats (JEStaats)

The last of the dragon slayers takes the fight North.

(click the image to take you to the full version)

Read the rest at HyperEpics.com


About the writer: As a fly-fishing fanatic and skier living in the Arizona desert, John Staats has plenty of time for writing. After focusing on features and shorts for the screen, John has now ventured into writing for the illustrated page with hopes of eventually writing a full-feature graphic novel. His feature Impasse has also been published as an e-book on Amazon. John can be contacted at jestaats(a)hotmail.

About Hyper Epics: Home of the 3 page sagas, Hyper Epics is a bold anthology series that offers diverse and exciting comic book stories on its website – www.hyperepics.com – and in print form. Each original story is packed with stunning artwork, memorable characters, and captivating stories enhanced with dazzling soundtracks. It is quickly becoming a go-to destination for readers worldwide.

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Wednesday, March 6, 2019

Original Script Sunday has come on a Wednesday - post author Don

Over on the Unproduced scripts page are 23 original scripts for your reading pleasure.

– Don

Monday, March 4, 2019

For Now by Paul Knauer- Short Script Review (available for production) - post author L. Chambers

For Now (8 pages in pdf format) by Paul Knauer

A year after losing her husband, a widow struggles with whether to date again.

February, (along with all things Saint Valentine) may technically be coming to a close, but for all of you hopeless and hopeful romantic filmmakers out there we’re continuing along the RomCom theme with another pearl of a script just waiting to be picked up.

The Bridges Of Madison County, Harold & Maude, The Best Exotic Marigold Hotel, Hope Springs, (to name a few) are films with what in common? All are proof that just as Frankie (Sinatra) sang way back in 1965: Love Isn’t Just For The Young. Proof also that there’s a demographic you may not have thought of tapping into but that it’s one highly in demand.

And so, the spotlight for today shines on Paul Knauer’s romantic comedy, For Now.

The opening scene of For Now finds us in a retirement community with Adel, a widowed lady in her seventies sitting alone and nursing a cup of coffee. A very nervous Warren, also in his seventies, slides into the seat across from her…

It’s February 14th, and Warren has just summoned up the courage to ask Adel out on a date. Only trouble is Adel’s a hard sell. She feels blessed enough to have known her soul mate in life and she’s not looking for a replacement. No-one could possibly fill the shoes of her beloved Jimmy.

            WARREN
… Listen… I was wondering
if – maybe – you might want to go to
the Olive Garden tonight? With me.
Endless breadsticks.

            ADEL
     (shakes her head)
It’s Valentine’s Day.

     That’s kinda the point, says Warren.

            WARREN
… See, when a guy – that’s me
likes a gal – that’s you – sometimes
they eat breadsticks together. And,
sometimes, they do it on Valentine’s
Day.

At which point we discover that although Warren has eyes only for Adel he’s hot property amongst the other ladies in the retirement community. In fact a long line of eligible women are queued up outside his door all clamouring for his affections and they come bearing Valentine’s gifts.

As Jimmy says to Adel:

            JIMMY
This guy’s more popular
than a chocolate fountain at a
Kansas City brunch.

Huh? Now Jimmy’s talking to Adel? Who is this guy? Has Warren got competition from a dead man? But he dropped off the peg a year ago, right? Then again, maybe he’s alive. A huge bouquet of roses were just delivered to Adel and the name on the card reads: Jimmy.

Hmm, what’s going on? Well, you’re just going to have to delve into the script to find out.

Suffice to say, For Now is a heartwarming and touching romantic comedy sprinkled with whimsical dialogue gems and astute observations about love and loss, and finding love again when you least expect it.

Filmmakers: Want your own feel-good start to the year? Better get on it then, now!

For Now (previous title: Blessing) placed Writer’s Choice runner-up in the SimplyScripts Romantic Comedy challenge.

About the Writer Paul Knauer is an optioned screenwriter working from the Kansas City area. His primary focus is slightly absurdist comedy (features and pilots), but his portfolio also includes several thriller features, along with shorts in multiple genres. His first script, OH, BROTHER!, placed second in the Fresh Voices sitcom category and was subsequently optioned. You can see more of Paul’s work at PaulKWrites.com.

Read For Now (9 pages in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.

About the reviewer: L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

Friday, March 1, 2019

Candu by Steve Burton – Produced - post author Don

Candu (7 page short, sci fi, fantasy script in pdf format) by Steve Burton (SBurton)

The subway doors open to emptiness and then vastness for a compelling journey.

“…changes from the original script were mostly about locations which got adapted to the needs of the productions.”

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