Ten Thousand Souls (6 pages, pdf format) by Marnie Mitchell-Lister
In England’s darkest hour of the 1300’s, a Doctor makes a deal with Death Himself
What would you do if the Grim Reaper came a knockin’? If you’re Bill and Ted, you go on a Bogus Journey… Only a few of you will get that reference, but it’ll kill (pun intended) those of you that do.
What if, instead, you made a deal with the Reaper? IE: the Harbinger of Death? That is the very question asked in the script Ten Thousand Souls, penned by apt scribe Marnie Mitchell-Lister.
We meet Doctor Oliver Blackburn in 1900, visiting a gravely ill patient. Sadly, there doesn’t seem to be much that can be done. So Doctor Blackburn offers to sit with the man until his time comes – and he “goes”.
Sweet, right? Not so fast. Because soon as the man passes, Doctor Blackburn… well, let’s just say, “makes his move”..
Throughout Ten Thousand Souls, Doctor Blackburn narrates our story, keeping us hooked as we jump through centuries (from 1350 to 1970 to 2011). Twists and turns abound until our journey is brought to a satisfying – albeit tragic – end.
A script with multiple advantages, Ten Thousand has the potential to play well to the festival and awards crowd, but to help make a name for a director looking for their start.
Blue Oyster Cult once sang “(Don’t Fear) The Reaper”. Ten Thousand Souls reminds us that maybe, just maybe, we should.
Budget: Notable. There are several time jumps (from 1350 to 2011 and a few in between). It also has multiple settings. However, there are only a few characters (Doctor Blackburn and Death most prominently) which lessens the budget a smidge. There are, of course, some effects that will be necessary to bring this tale to life on screen. That said, a clever director with a set, access to some costumes and some loyal actors could likely make this work for less. Anyway, what are you doing reading this? Contact Marnie and get this thing made!
About the Writer Marnie Mitchell-Lister has creative A.D.D. Some of her writing can be read here: BrainFluffs.com. Some of her photography can be seen here: marnzart.wordpress.com.
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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
About the reviewer: Mitch Smith is an award winning screenwriter who offers notes, script editing and phone consultations. Follow him on twitter @MitchScripts, or email him at Mitch.SmithScripts (a) gmail.
1 Comments so far
1.
KP Mackie
June 3rd, 2016 at 2:24 pm
Powerful script.
Amazing emotional and dark tone. Mental images of scenes in a sepia color.
Well done! 🙂