Well, this is going to be interesting. And exasperating. And educational.
Rick Hansberry and I have spent time writing screenplays together, and we’ve had success in getting both our joint and individual screenplay projects optioned. So we know a little bit about writing for the screen, and the business of what it takes to get the film pitched, marketed, optioned, and (fingers crossed) produced.
We recently decided we wanted to write another script together, and we begin discussing how in this brave new social media world, you need to do more than just write the script. You have to be adept at marketing, not just in making a pitch to producers, but also in using Instagram and Twitter and other platforms (like this blog) to start generating buzz about (and interest in) the script.
We thought it would be interesting for those of you out there who are interested in the entire process to see how we tackle it, from concept, to the writing, to how we handle disagreements, to marketing the script.
The idea is to provide encouragement and education to those of you out there who haven’t been through this process before: Maybe you’ve written a screenplay, but you’re not sure what to do with it, maybe you’ve never written before and you’re curious how it all works.
Let’s take this journey together.
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The further adventures of the screenwriting and marketing process of Lake Regret wherein Gary Howell documents his and Rick Hansberry’s screenwriting adventures from concept, to the writing, to how they handle disagreements, to marketing the script. Reproduced with permission
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